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copied from Osamu_Tezuka
Early life (1928–1945)[edit]
Tezuka was the eldest of three children in Toyonaka City, Osaka.[1][2] His nickname was gashagasha-atama (gashagasha is slang for messy, atama means head). Later in life, he gave his mother credit for inspiring confidence and creativity through her stories. She frequently took him to the Takarazuka Theatre, which often headlined the Takarazuka Revue, an all-female musical theater troupe. Their romantic musicals aimed at a female audience, had a large influence of Tezuka's later works, including his costume designs. Not only that, but the large, sparkling eyes also had an influence on Tezuka's art style.[3] He has said that he has a profound "spirit of nostalgia" for Takarazuka.[4] When Tezuka was young, his father showed him Disney films; he became obsessed with the films and began to replicate them. He also became a Disney movie buff, seeing the films multiple times in a row, most famously seeing Bambi over a 80 separate times.[5] Tezuka started to draw comics around his second year of elementary school, drawing so much that his mother would have to erase pages in his notebook in order to keep up with his output. Tezuka was was also inspired by works by Tagawa Hosui and Umino Junzo.[6] Around his fifth year he found a bug named "Osamushi". It so resembled his name that he adopted "Osamushi" as his pen name. [7] He continued to develop his manga skills throughout his school career. During this period he created his first adept amateur works.[8] During high school in 1944, Tezuka was drafted to work for a factory, supporting the Japanese war effort during World War II; he simultaneously continued writing manga. In 1945, Tezuka was accepted into Osaka University and began studying medicine. During this time, he also began publishing his first professional works.[9]
Publishing career and early success (1946–1952)[edit]
Tezuka came to the realization that he could use manga as a means of helping to convince people to care for the world. After World War II, at age 17, he published his first piece of work: Diary of Ma-chan. Tezuka began talks with fellow manga artist Shichima Sakai, who had pitched Tezuka a manga based around the famous story Treasure Island. Sakai promised Tezuka a publishing spot from Ikuei Shuppan if he would work on the manga. Tezuka finished the manga, only loosely basing it on the original work.[10] Shin Takarajima (New Treasure Island) was published and became an overnight success which began the golden age of manga, a craze comparable to American comic books at the time.[11]
In 1951, Tezuka joined a group known as Tokyo Children Manga Association consisting of other manga artists such as Baba Noboru, Ota Jiro, Furusawa Hideo, Fukui Eiichi, Irie Shigeru, and Negishi Komichi.[12]
With the success of New Treasure Island, Tezuka traveled to Tokyo in search of a publisher for more of his work. After visiting Kobunsha Tezuka was turned down. However, publisher Shinseikaku agreed to purchase The Strange Voyage of Dr. Tiger and Domei Shuppansha would purchase The Mysterious Dr. Koronko. Whilst continuing his study in medical school Tezuka published his first masterpieces: a trilogy of science fiction epics called Lost World, Metropolis and Next World.
Soon after Tezuka published his first major success Jungle Emperor Leo, it was serialized in Manga Shonen from 1950 to 1954.[13] In 1951 Tezuka graduated from the Osaka School of Medicine[14] and published Ambassador Atom, the first appearance of the Astro Boy character.
Bibliography/Sites Used[edit]
https://tezukaosamu.net/en/about/1950.html https://tezukaosamu.net/en/about/1930.html http://www.legacy.com/news/celebrity-deaths/article/osamu-tezuka-god-of-manga
Additions[edit]
Not only that, but the large, sparkling eyes also had an influence on Tezuka's art style.[15]
Tezuka was was also inspired by works by Tagawa Hosui and Umino Junzo.[16]
In 1951, Tezuka joined a group known as Tokyo Children Manga Association consisting of other manga artists such as Baba Noboru, Ota Jiro, Furusawa Hideo, Fukui Eiichi, Irie Shigeru, and Negishi Komichi.[17]
- ^ Patten 2004, p. 145.
- ^ Galbraith, Patrick W. (2009). The Otaku Encyclopedia: An Insider's Guide to the Subculture of Cool Japan. Kodansha International. pp. 220–21. ISBN 978-4-7700-3101-3.
- ^ http://www.legacy.com/news/celebrity-deaths/article/osamu-tezuka-god-of-manga
- ^ Gravett, Paul (2004). Manga: 60 Years of Japanese Comics. Harper Design. p. 77. ISBN 1-85669-391-0.
- ^ https://www.japantimes.co.jp/culture/2007/08/19/books/book-reviews/osamu-tezuka-fighting-for-peace-with-the-mighty-atom/#.WeJp3VtSy2w
- ^ https://tezukaosamu.net/en/about/1930.html
- ^ https://tezukaosamu.net/en/about/1930.html
- ^ https://tezukaosamu.net/en/about/1930.html
- ^ https://tezukaosamu.net/en/about/1940.html
- ^ http://www.tcj.com/tezuka-osamu-outwits-the-phantom-blot-the-case-of-new-treasure-island-contd/2/
- ^ Wells, Dominic (2008-09-13). "Osamu Tezuka the master of mighty manga". The Times. London. Retrieved 2010-05-20.
- ^ https://tezukaosamu.net/en/about/1950.html
- ^ http://tezukaosamu.net/en/manga/186.html
- ^ http://tezukaosamu.net/en/about/1950.html
- ^ http://www.legacy.com/news/celebrity-deaths/article/osamu-tezuka-god-of-manga
- ^ https://tezukaosamu.net/en/about/1930.html
- ^ https://tezukaosamu.net/en/about/1950.html