Portal:Martial arts

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United States Marine practicing martial arts, 2008

Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defence; military and law enforcement applications; competition; physical, mental, and spiritual development; entertainment; and the preservation of a nation's intangible cultural heritage. (Full article...)

Although the earliest evidence of martial arts goes back millennia, the true roots are difficult to reconstruct. Inherent patterns of human aggression which inspire practice of mock combat (in particular wrestling) and optimization of serious close combat as cultural universals are doubtlessly inherited from the pre-human stage and were made into an "art" from the earliest emergence of that concept. Indeed, many universals of martial art are fixed by the specifics of human physiology and not dependent on a specific tradition or era.

Specific martial traditions become identifiable in Classical Antiquity, with disciplines such as shuai jiao, Greek wrestling or those described in the Indian epics or the Spring and Autumn Annals of China. (Full article...)

Selected articles

  • Image 1 Family crest of the Takeda clan. Daitō-ryū Aiki-jūjutsu (大東流 合気柔術), originally called Daitō-ryū Jujutsu (大東流柔術, Daitō-ryū Jūjutsu), is a Japanese martial art that first became widely known in the early 20th century under the headmastership of Takeda Sōkaku. Takeda had extensive training in several martial arts (including Kashima Shinden Jikishinkage-ryū and Sumo) and referred to the style he taught as "Daitō-ryū" (literally, "Great Eastern School"). Although the school's traditions claim to extend back centuries in Japanese history there are no known extant records regarding the ryū before Takeda. Whether Takeda is regarded as either the restorer or the founder of the art, the known history of Daitō-ryū begins with him. Takeda's best-known student was Morihei Ueshiba, the founder of Aikido. (Full article...)

    Family crest of the Takeda clan.
    Daitō-ryū Aiki-jūjutsu (大東流 合気柔術), originally called Daitō-ryū Jujutsu (大東流柔術, Daitō-ryū Jūjutsu), is a Japanese martial art that first became widely known in the early 20th century under the headmastership of Takeda Sōkaku. Takeda had extensive training in several martial arts (including Kashima Shinden Jikishinkage-ryū and Sumo) and referred to the style he taught as "Daitō-ryū" (literally, "Great Eastern School"). Although the school's traditions claim to extend back centuries in Japanese history there are no known extant records regarding the ryū before Takeda. Whether Takeda is regarded as either the restorer or the founder of the art, the known history of Daitō-ryū begins with him. Takeda's best-known student was Morihei Ueshiba, the founder of Aikido. (Full article...)
  • Image 2 Japanese swords. Two tachi with full mountings (middle and bottom right), a sword with a Shirasaya-style tsuka (top right), a wakizashi (top left), and various tsuba (bottom left). A Japanese sword (Japanese: 日本刀, Hepburn: nihontō) is one of several types of traditionally made swords from Japan. Bronze swords were made as early as the Yayoi period (1,000 BC–300 AD), though most people generally refer to the curved blades made from the Heian period (794–1185) to the present day when speaking of "Japanese swords". There are many types of Japanese swords that differ by size, shape, field of application and method of manufacture. Some of the more commonly known types of Japanese swords are the uchigatana, tachi, ōdachi, wakizashi, and tantō. (Full article...)
    Japanese swords. Two tachi with full mountings (middle and bottom right), a sword with a Shirasaya-style tsuka (top right), a wakizashi (top left), and various tsuba (bottom left).

    A Japanese sword (Japanese: 日本刀, Hepburn: nihontō) is one of several types of traditionally made swords from Japan. Bronze swords were made as early as the Yayoi period (1,000 BC–300 AD), though most people generally refer to the curved blades made from the Heian period (794–1185) to the present day when speaking of "Japanese swords". There are many types of Japanese swords that differ by size, shape, field of application and method of manufacture. Some of the more commonly known types of Japanese swords are the uchigatana, tachi, ōdachi, wakizashi, and tantō. (Full article...)
  • Image 3 A Sanda match in Brazil Sanda (Chinese: 散打; pinyin: Sǎndǎ), formerly Sanshou (Chinese: 散手; pinyin: Sǎnshǒu), is the official Chinese boxing full-contact combat sport. Sanda is a fighting system which was originally developed by the Chinese military based upon the study and practices of traditional Chinese martial arts and modern combat fighting techniques; it combines boxing and full-contact kickboxing, which includes close range and rapid successive punches and kicks, with wrestling, takedowns, throws, sweeps, kick catches, and in some competitions, even elbow and knee strikes. As part of the development of sport wushu by the Chinese government, a standard curriculum for Sanda was developed. It is to this standard curriculum that the term Wushu Sanda is usually applied. Sanda may also involve techniques from any other fighting style depending on the teacher's mode of instruction. (Full article...)

    A Sanda match in Brazil

    Sanda (Chinese: 散打; pinyin: Sǎndǎ), formerly Sanshou (Chinese: 散手; pinyin: Sǎnshǒu), is the official Chinese boxing full-contact combat sport. Sanda is a fighting system which was originally developed by the Chinese military based upon the study and practices of traditional Chinese martial arts and modern combat fighting techniques; it combines boxing and full-contact kickboxing, which includes close range and rapid successive punches and kicks, with wrestling, takedowns, throws, sweeps, kick catches, and in some competitions, even elbow and knee strikes.

    As part of the development of sport wushu by the Chinese government, a standard curriculum for Sanda was developed. It is to this standard curriculum that the term Wushu Sanda is usually applied. Sanda may also involve techniques from any other fighting style depending on the teacher's mode of instruction. (Full article...)
  • Image 4 Statue of Jigoro Kano at the Kodokan institute. The rivalry between the Kodokan school of judo and the Totsuka school of Yoshin-ryu jujutsu happened in the 1880s during the Meiji Era in Japan. Consisting of several challenges and tournaments, its result saw the decline of the traditional jujutsu schools and the rise of judo as an institutionalized martial art. Although surrounded in controversy and legend because of inconsistent sources, it has been considered a vital part of the history of judo. (Full article...)
    Statue of Jigoro Kano at the Kodokan institute.

    The rivalry between the Kodokan school of judo and the Totsuka school of Yoshin-ryu jujutsu happened in the 1880s during the Meiji Era in Japan. Consisting of several challenges and tournaments, its result saw the decline of the traditional jujutsu schools and the rise of judo as an institutionalized martial art. Although surrounded in controversy and legend because of inconsistent sources, it has been considered a vital part of the history of judo. (Full article...)
  • Image 5 Luta Livre (Portuguese: [ˈlutɐ ˈlivɾi], lit. freestyle fighting), known in Brazil as Luta Livre Brasileira (lit. Brazilian freestyle fighting) or Luta Livre Submission, and also Brazilian Submission Wrestling, is a Brazilian martial arts and combat sport created by Euclydes Hatem in Rio de Janeiro. Primarily a mixture of catch wrestling and kosen judo, there is also ground striking with the hands, feet, knees and elbows. Notable practitioners include Marco Ruas, Ebenezer Fontes Braga, Johil de Oliveira, Alexandre Franca Nogueira, Renato Sobral, Gesias Cavalcante, Pedro Rizzo, Darren Till and José Aldo. There are two styles: esportiva ("sporting") and combate ("ground strikes"); both styles are no-gi. In esportiva competitions, grappling techniques are the only techniques allowed to subdue the opponent. Another style developed later is called "Luta Livre Vale Tudo", which is similar to the modern MMA style which allows both standing and ground strikes and submissions. Consequently, it is important to calmly strategize and execute moves with the aim to force the opponent to submit via armlock, leglock, choke or necklock, or to win by points (i.e. takedowns, domination position). Punches, kicks and other "hard" techniques are not allowed as this is considered more a sport than actual combat. Combate, on the other hand, includes striking techniques on the ground; palm strikes and kicks are allowed, but the ground fight and submissions are still the largest elements. This is also the form used in MMA-style fights. (Full article...)

    Luta Livre (Portuguese: [ˈlutɐ ˈlivɾi], lit. freestyle fighting), known in Brazil as Luta Livre Brasileira (lit. Brazilian freestyle fighting) or Luta Livre Submission, and also Brazilian Submission Wrestling, is a Brazilian martial arts and combat sport created by Euclydes Hatem in Rio de Janeiro. Primarily a mixture of catch wrestling and kosen judo, there is also ground striking with the hands, feet, knees and elbows. Notable practitioners include Marco Ruas, Ebenezer Fontes Braga, Johil de Oliveira, Alexandre Franca Nogueira, Renato Sobral, Gesias Cavalcante, Pedro Rizzo, Darren Till and José Aldo.

    There are two styles: esportiva ("sporting") and combate ("ground strikes"); both styles are no-gi. In esportiva competitions, grappling techniques are the only techniques allowed to subdue the opponent. Another style developed later is called "Luta Livre Vale Tudo", which is similar to the modern MMA style which allows both standing and ground strikes and submissions. Consequently, it is important to calmly strategize and execute moves with the aim to force the opponent to submit via armlock, leglock, choke or necklock, or to win by points (i.e. takedowns, domination position). Punches, kicks and other "hard" techniques are not allowed as this is considered more a sport than actual combat. Combate, on the other hand, includes striking techniques on the ground; palm strikes and kicks are allowed, but the ground fight and submissions are still the largest elements. This is also the form used in MMA-style fights. (Full article...)
  • Image 6 Taekwondo (/ˌtaɪkwɒnˈdoʊ, ˌtaɪˈkwɒndoʊ, ˌtɛkwənˈdoʊ/; Korean: 태권도; [t̪ʰɛ.k͈wʌ̹n.d̪o] ⓘ), also spelled tae kwon do or taekwon-do, is a Korean martial art and combat sport involving punching and kicking techniques. The literal translation for taekwondo is "kicking", "punching", and "the art or way of". It sometimes involves the use of weapons. Taekwondo practitioners wear a uniform, known as a dobok. It is a combat sport which was developed during the 1940s and 1950s by Korean martial artists with experience in martial arts such as karate and Chinese martial arts. (Full article...)

    Taekwondo (/ˌtaɪkwɒnˈdoʊ, ˌtaɪˈkwɒndoʊ, ˌtɛkwənˈdoʊ/; Korean: 태권도; [t̪ʰɛ.k͈wʌ̹n.d̪o] ⓘ), also spelled tae kwon do or taekwon-do, is a Korean martial art and combat sport involving punching and kicking techniques. The literal translation for taekwondo is "kicking", "punching", and "the art or way of". It sometimes involves the use of weapons.

    Taekwondo practitioners wear a uniform, known as a dobok. It is a combat sport which was developed during the 1940s and 1950s by Korean martial artists with experience in martial arts such as karate and Chinese martial arts. (Full article...)
  • Image 7 Indian martial arts refers to the fighting systems of the Indian subcontinent. A variety of terms are used for the English phrases "Indian martial arts", deriving from ancient sources. While they may seem to imply specific disciplines (e.g. archery, armed combat), by Classical times they were used generically for all fighting systems. Among the most common terms today, śastra-vidyā, is a compound of the words śastra (weapon) and vidyā (knowledge). Dhanurveda derives from the words for bow (dhanushya) and knowledge (veda), the "science of archery" in Puranic literature, later applied to martial arts in general. The Vishnu Purana text describes dhanuveda as one of the traditional eighteen branches of "applied knowledge" or upaveda, along with shastrashāstra or military science. A later term, yuddha kalā, comes from the words yuddha meaning fight or combat and kalā meaning art or skill. The related term śastra kalā (lit. weapon art) usually refers specifically to armed disciplines. Another term, yuddha-vidyā or "combat knowledge", refers to the skills used on the battlefield, encompassing not only actual fighting but also battle formations and strategy. Martial arts are usually learnt and practiced in the traditional akharas. (Full article...)
    Indian martial arts refers to the fighting systems of the Indian subcontinent. A variety of terms are used for the English phrases "Indian martial arts", deriving from ancient sources. While they may seem to imply specific disciplines (e.g. archery, armed combat), by Classical times they were used generically for all fighting systems.

    Among the most common terms today, śastra-vidyā, is a compound of the words śastra (weapon) and vidyā (knowledge). Dhanurveda derives from the words for bow (dhanushya) and knowledge (veda), the "science of archery" in Puranic literature, later applied to martial arts in general. The Vishnu Purana text describes dhanuveda as one of the traditional eighteen branches of "applied knowledge" or upaveda, along with shastrashāstra or military science. A later term, yuddha kalā, comes from the words yuddha meaning fight or combat and kalā meaning art or skill. The related term śastra kalā (lit. weapon art) usually refers specifically to armed disciplines. Another term, yuddha-vidyā or "combat knowledge", refers to the skills used on the battlefield, encompassing not only actual fighting but also battle formations and strategy. Martial arts are usually learnt and practiced in the traditional akharas. (Full article...)
  • Image 8 Greek wrestling (Greek: πάλη, translit. pálē), also known as Ancient Greek wrestling and Pále (πάλη), was the most popular organized sport in Ancient Greece. A point was scored when one player touched the ground with his back, hip or shoulder, or conceding defeat due to a submission-hold or was forced out of the wrestling-area. Three points had to be scored to win the match. One particularly important position in this form of wrestling was one where one of the contestants was lying on his abdomen with the other on his back trying to strangle him (back mount). The athlete on the bottom would try to grasp an arm of the one on top and turn him over onto his back while the athlete on top would try to complete the choke without being rolled. (Full article...)

    Greek wrestling (Greek: πάλη, translit. pálē), also known as Ancient Greek wrestling and Pále (πάλη), was the most popular organized sport in Ancient Greece. A point was scored when one player touched the ground with his back, hip or shoulder, or conceding defeat due to a submission-hold or was forced out of the wrestling-area. Three points had to be scored to win the match.

    One particularly important position in this form of wrestling was one where one of the contestants was lying on his abdomen with the other on his back trying to strangle him (back mount). The athlete on the bottom would try to grasp an arm of the one on top and turn him over onto his back while the athlete on top would try to complete the choke without being rolled. (Full article...)
  • Image 9 A pair of tonfa The tonfa (Okinawan: トンファー tonfā, Chinese: 柺; pinyin: guǎi lit. old man's staff / "crutch"), also spelled as tongfa or tuifa, also known as T-baton is a melee weapon with its origins in the armed component of Okinawan martial arts. It consists of a stick with a perpendicular handle attached a third of the way down the length of the stick, and is about 15–20 inches (380–510 mm) long. It was traditionally made from red or white oak, and wielded in pairs. The tonfa is believed to have originated in either China, Okinawa or Southeast Asia, where it is used in the respective fighting styles. (Full article...)
    A pair of tonfa

    The tonfa (Okinawan: トンファー tonfā, Chinese: 柺; pinyin: guǎi lit. old man's staff / "crutch"), also spelled as tongfa or tuifa, also known as T-baton is a melee weapon with its origins in the armed component of Okinawan martial arts. It consists of a stick with a perpendicular handle attached a third of the way down the length of the stick, and is about 15–20 inches (380–510 mm) long. It was traditionally made from red or white oak, and wielded in pairs. The tonfa is believed to have originated in either China, Okinawa or Southeast Asia, where it is used in the respective fighting styles. (Full article...)
  • Image 10 Lethwei (Burmese: လက်ဝှေ့; IPA: [lɛʔ.ʍḛ]) or Burmese boxing is a full contact combat sport from Myanmar that uses stand-up striking including headbutts. Lethwei is considered to be one of the most brutal martial arts in the world, as the sport is practiced bareknuckle with only tape and gauze while fighters are allowed to strike with their fists, elbows, knees, and feet, and the use of headbutts is also permitted. Disallowed in most combat sports, headbutts are important weapons in a Lethwei fighter's arsenal, giving Lethwei its name of the "Art of nine limbs". This, combined with its bareknuckle nature, gave Lethwei a reputation for being one of the bloodiest and most violent martial arts. Although popular throughout modern Myanmar, Lethwei has been primarily and historically associated with the Karen people of the Kayin State; vast majority of competitive Lethwei fighters are ethnolinguistically of Karen descent. (Full article...)

    Lethwei (Burmese: လက်ဝှေ့; IPA: [lɛʔ.ʍḛ]) or Burmese boxing is a full contact combat sport from Myanmar that uses stand-up striking including headbutts. Lethwei is considered to be one of the most brutal martial arts in the world, as the sport is practiced bareknuckle with only tape and gauze while fighters are allowed to strike with their fists, elbows, knees, and feet, and the use of headbutts is also permitted. Disallowed in most combat sports, headbutts are important weapons in a Lethwei fighter's arsenal, giving Lethwei its name of the "Art of nine limbs". This, combined with its bareknuckle nature, gave Lethwei a reputation for being one of the bloodiest and most violent martial arts. Although popular throughout modern Myanmar, Lethwei has been primarily and historically associated with the Karen people of the Kayin State; vast majority of competitive Lethwei fighters are ethnolinguistically of Karen descent. (Full article...)
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Selected biography

Maeda circa 1910
Mitsuyo Maeda (前田 光世, Maeda Mitsuyo, born November 18, 1878  – November 28, 1941),

a Brazilian naturalized as Otávio Maeda (Portuguese pronunciation: [oˈtavju maˈedɐ]), was a Japanese judōka (judo practitioner) and prizefighter in no holds barred competitions. He was known as Count Combat or Conde Koma in Spanish and Portuguese, a nickname he picked up in Spain in 1908. Along with Antônio Soshihiro Satake (another naturalized Brazilian), he pioneered judo in Brazil, the United Kingdom, and other countries.

Maeda was fundamental to the development of Brazilian jiu-jitsu, including through his teaching of Carlos Gracie and others of the Gracie family. He was also a promoter of Japanese emigration to Brazil. Maeda won more than 2,000 professional fights in his career- though this claim has been disputed. His accomplishments led to him being called the "toughest man who ever lived" and being referred to as the father of Brazilian Jiu-jitsu. (Full article...)


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Selected entertainment

Super Punch-Out!! is a boxing video game developed and published by Nintendo for the Super Nintendo Entertainment System (SNES). It was released on September 14, 1994 in North America and again in the same region in 1996. It was released in Europe on January 26, 1995 for the same console and in Japan in 1998 for the Super Famicom through the Nintendo Power flash RAM cartridge series. The game is also included in the GameCube version of Fight Night Round 2 as an extra game due to the inclusion of Little Mac in the game. The game was released for the Wii's Virtual Console in Europe on March 20, 2009, in North America on March 30, 2009, and in Japan on July 7, 2009. The game was also released on the New Nintendo 3DS eShop on May 5, 2016. Nintendo re-released Super Punch-Out!! in the United States in September 2017 as part of the company's Super NES Classic Edition. It is the fourth game in the Punch-Out!! series, taking place after the Punch-Out!! game for the Nintendo Entertainment System (NES).

In Super Punch-Out!! the player controls a boxer as he fights his way to become the World Video Boxing Association champion. Players, fighting from a "behind the back" perspective, must knockout their opponent in three minutes to win. Players can launch jabs, hooks, and uppercuts against their opponents as well as block, dodge, and duck opponents' attacks. Nintendo Integrated Research and Development, led by Genyo Takeda, Minoru Arakawa and Makoto Wada, developed the game. It also featured voice acting by Charles Martinet.

The game received praise from reviewers for its cartoon-like style, its colorful, outlandish opponents, simple gameplay controls, and replay value. The game also featured colorful, detailed graphics, which included the usage of transparency that facilitates the game's "behind the back" perspective. Other reviewers had said that this game lacked the overall appeal, gameplay, or audience of its predecessor.


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Selected image


A painting of a pair of nearly naked men engaged in a wrestling match.
A painting of a pair of nearly naked men engaged in a wrestling match.
Credit: Museum Associates/LACMA

Wrestlers is a name shared by three closely related 1899 paintings by American artist Thomas Eakins, (Goodrich catalog #317, #318, #319). The Los Angeles County Museum of Art (LACMA) owns the finished painting (G-317), and the oil sketch (G-318). The Philadelphia Museum of Art (PMA) owns a slightly smaller unfinished version (G-319). All three works depict a pair of nearly naked men engaged in a wrestling match. The setting for the finished painting is the Quaker City Barge Club (defunct), which once stood on Philadelphia's Boathouse Row. (Full article...)


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Jeet Kune Do favors formlessness so that it can assume all forms and since Jeet Kune Do has no style, it can fit in with all styles. As a result, Jeet Kune Do utilizes all ways and is bound by none and, likewise, uses any techniques which serve its end.


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