Juliana Rojas

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Juliana Rojas
Juliana Rojas at Berlinale 2024
Born23 June 1981 (age 42)
Campinas, São Paulo, Brazil
EducationSchool of Communications and Arts, University of São Paulo
Occupation(s)Director and Editor
Years active2004 - present
Notable workHard Labor

Juliana Rojas is a Brazilian filmmaker and editor born in Campinas, São Paulo (June 23, 1981).[1] She graduated in Cinema in School of Communication and Arts of University of São Paulo (Escola de Comunicação e Artes da USP).

In 2011, her first feature film Hard Labor had its world premiere at the Un Certain Regard section of the 2011 Cannes Film Festival.[2] Her film, Good Manners won the Silver Leopard at the 2017 Locarno Film Festival.[3] In 2024, her latest film Cidade; Campo, won the Best Director award at the Encounters section of the 74th Berlin International Film Festival.

Career[edit]

She graduated from USP in 2005, with specialization in Editing, Screenplay and Sound (1999-2005). Juliana Roja started her career while she was still in school.[1] According to an interview with her, she said yet on the first year of college she became close friends with Marco Dutra and realized both had shared interests such as scary movies, animation, musicals. She directed her first film with Dutra in 2004, a short movie called Lenço Branco as their final assignment project for school.[4] In the same year, it was part of Cinéfondation in Cannes Film Festival.

This event brought attention to the duo. In 2007, they directed another short film Um Ramo and was nominated to Semaine de la Critique and won Best Short Film.[5] Um Ramo was made with government of São Paulo funding, through an "Edital" (public notice) and produced by Sara Silveira from Dezenove Som e Imagens production company. Juliana Rojas had the opportunity to meet Sara Silveira through a friend in common.[4] Um Ramo helped her get attention in her work and helped her find her aesthetics. It brings fantasy elements to portray urban life of nowadays middle class society and this characteristic is a constant in Juliana Roja and Marco Dutra’s work.[6][7]

With Dutra, she codirected As Sombras, a short movie in 2009, and then Desassossego – filme das maravilhas in 2010. After being nominated for Best Short Film in Cannes (2007), Sara Silveira[clarification needed] proposed that they brought a feature film screenplay project to show at the Festival.[4] That is how, in 2011, Hard Labor would become Roja's first feature film and would get into the selection Un Certain Regard, in Cannes Film Festival. This film was nominated for ten categories in Prêmio Fiesp/Sesi-SP, such as Best Movie and Best Director.[8] It featured a frequent actress in their work, Helena Albergaria, who was a longtime friend they met working with Cia. do Latão[4] - a theater company in São Paulo - and Marat Descartes. Hard Labor was edited by Caetano Gotardo, to whom Roja would edit a film.[4]

Together with Dutra, Roja won the Silver Leopard award in Locarno Festival with Good Manners, in 2017.[9] However, Rojas did not base her career in only co-directed films with Dutra, she also had some works directed by herself,[1] such as: Vestida in 2008, Pra domir tranquilo in 2011 and O Duplo in 2012 – premiered in Cannes Film Festival[10] and also in 16th Mostra de Cinema Tiradentes, 2013. In 2014, she won Critics Category Award in Gramado Film Festival with her feature film called Sinfonia da Necrópole.[11]

Besides her directing career, she also used her skills as an editor in some important films in Brazilian Cinema, such as: documentary Pulsações (2011) directed by Manoela Ziggiati; Os dias com ele (2012) directed by Maria Clara Escobar and O sol nos meus olhos (2012) directed by Flora Dias, both shown in 16th Mostra de Cinema Tiradentes; TV movie Corpo Presente (2012) by Paolo Gregori and Marcelo Toledo; O que se move (2012) by Caetano Gotardo and Quando eu era vivo (2013) by her Cinema partner Marco Dutra.[1][4]

Importance in Brazilian Cinema[edit]

Rojas participated in very relevant[clarification needed] Film Festivals. She has been showing her films in Cannes Film Festival in France since the beginning of her career.[1] She also had her work shown in Locarno Film Festival and Gramado Film Festival. Rojas is one of the filmmakers of contemporary Brazilian Cinema investing in fantastic storytelling, using genres such as thriller, fantasy, drama to create a critical argument of contemporary Brazilian society.[12][failed verification] She has been compared to and listed with internationally known Brazilian filmmakers and films - as Neighboring Sounds by Kleber Mendonça Filho, for example.[13][failed verification]

Filmography[edit]

As Director[edit]

Year Film Notes
2004 O Lenço Branco Co-directed with Marco Dutra
2007 Um Ramo
2008 Vestida
2009 As Sombras Co-directed with Marco Dutra
2010 Desassossego – filme das maravilhas
2011 Hard Labor / Trabalhar Cansa
Pra dormir tranquilo
2012 O Duplo
2014 Sinfonia da Necrópole
2017 Good Manners / As Boas Maneiras Co-directed with Marco Dutra
2024 Cidade; Campo [14]

As Editor[edit]

Year Film Director
2011 Pulsações Manoela Ziggiati
2012 Os dias com ele Maria Clara Escobar
Corpo Presente Paolo Gregori and Marcelo Toledo
O que se move Caetano Gotardo
Quando eu era vivo Marco Dutra
Rojas with the Encounters award for best director at the Berlinale 2024

Awards and nominations[edit]

Wikimedia Commons has media related to Juliana Rojas.

References[edit]

  1. ^ a b c d e "Mulheres do Cinema Brasileiro".
  2. ^ Rist, Peter H. (2014-05-08). Historical Dictionary of South American Cinema. Rowman & Littlefield. ISBN 9780810880368.
  3. ^ "'Good Manners' ('As boas maneiras'): Film Review | Locarno 2017". The Hollywood Reporter. Retrieved 2018-02-14.
  4. ^ a b c d e f "Mulheres do Cinema Brasileiro -Entrevistas Depoimentos". www.mulheresdocinemabrasileiro.com.br. Retrieved 2018-02-14.
  5. ^ SA, Trip Editora e Propaganda (August 2007). Tpm (in Portuguese). Trip Editora e Propaganda SA.
  6. ^ Souto, Mariana (2013-01-08). "O que teme a classe média brasileira? - "Trabalhar Cansa" e o horror no cinema contemporâneo". Revista Contracampo (in Portuguese) (25): 43–60. doi:10.22409/contracampo.v0i25.293. ISSN 2238-2577.
  7. ^ "The problem of indexation in contemporary genres, Hard Labor and the perspective of a national fantastic cinema" (PDF).
  8. ^ "Folha de S.Paulo - Ilustrada - Sesi distribui R$ 45 mil em cerimônia hoje - 02/05/2012". www1.folha.uol.com.br. Retrieved 2018-02-14.
  9. ^ Weissberg, Jay (2017-08-15). "Locarno Film Review: 'Good Manners'". Variety. Retrieved 2018-02-14.
  10. ^ "Juliana Rojas: ela bate ponto em Cannes". VEJA SÃO PAULO (in Brazilian Portuguese). Retrieved 2018-02-14.
  11. ^ "A Estrada 47 é eleito o melhor filme de Gramado".
  12. ^ Silva, Antônio Márcio da; Cunha, Mariana (2017-08-12). Space and Subjectivity in Contemporary Brazilian Cinema. Springer. ISBN 9783319482675.
  13. ^ Lima, Cristiane da Silveira; Migliano, Milene (2013). "MEDO E EXPERIÊNCIA URBANA: Breve análise do filme O Som ao Redor". Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual (in Portuguese). 2 (1). ISSN 2316-9230.
  14. ^ Abbatescianni, Davide (22 January 2024). "The Berlinale unveils its Competition and Encounters titles". Cineuropa. Retrieved 9 February 2024.
  15. ^ Covert, Nadine (23 April 2012). "Wrap-Up: Havana Film Festival New York". Retrieved 2021-07-11.
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