Portal:Rock music

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Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4
time signature
using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

The following are images from various rock music-related articles on Wikipedia.

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Audioslave performing at Montreux Jazz Festival in 2005.
Audioslave was an American rock supergroup formed in Glendale, California, in 2001. The four-piece band consisted of Soundgarden's lead singer and rhythm guitarist Chris Cornell with Rage Against the Machine members Tom Morello (lead guitar), Tim Commerford (bass/backing vocals), and Brad Wilk (drums). Critics first described Audioslave as a combination of Soundgarden and Rage Against the Machine, but by the band's second album, Out of Exile, it was noted that they had established a separate identity. Their unique sound was created by blending 1970s hard rock and 1990s alternative rock, with musical influences that included 1960s funk, soul and R&B. As with Rage Against the Machine, the band prided themselves on the fact that all sounds on their albums were produced using only guitars, bass, drums, and vocals, with emphasis on Cornell's wide vocal range and Morello's unconventional guitar solos.

In their six years together, Audioslave released three albums, received three Grammy nominations, sold more than eight million records worldwide and became the first American rock band to perform an open-air concert in Cuba. They disbanded in February 2007 after Cornell issued a statement announcing that he was leaving the band. Later that year, Cornell and Morello released solo albums, and Morello, Commerford, and Wilk reunited with Zack de la Rocha for the Rage Against the Machine Reunion Tour.

Audioslave reunited to perform at Prophets of Rage's Anti-Inaugural Ball, which took place on January 20, 2017. Cornell's death later that year precluded any chance of further reunions. (Full article...)

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Paul Butterfield at Woodstock Reunion, Parr Meadows, Ridge, NY.
Paul Vaughn Butterfield (December 17, 1942 – May 4, 1987) was an American blues harmonica player, singer and bandleader. After early training as a classical flautist, he developed an interest in blues harmonica. He explored the blues scene in his native Chicago, where he met Muddy Waters and other blues greats, who provided encouragement and opportunities for him to join in jam sessions. He soon began performing with fellow blues enthusiasts Nick Gravenites and Elvin Bishop.

In 1963, he formed the Paul Butterfield Blues Band, which recorded several successful albums and was popular on the late-1960s concert and festival circuit, with performances at the Fillmore West in San Francisco, the Fillmore East in New York City, the Monterey Pop Festival, and Woodstock. The band was known for combining electric Chicago blues with a rock urgency and for their pioneering jazz fusion performances and recordings. The band was also among the first racially integrated blues groups. After the breakup of the group in 1971, Butterfield continued to tour and record with the band Paul Butterfield's Better Days, with his mentor Muddy Waters, and with members of the roots-rock group the Band. While still recording and performing, Butterfield died in 1987 at age 44 of an accidental drug overdose.

Music critics have acknowledged his development of an original approach that places him among the best-known blues harp players. In 2006, he was inducted into the Blues Hall of Fame. Butterfield and the early members of the Paul Butterfield Blues Band were inducted into the Rock and Roll Hall of Fame in 2015. Both panels noted his harmonica skills and his contributions to bringing blues music to a younger and broader audience. (Full article...)

Selected album

Almost There is the first studio album by the American Christian rock band MercyMe. Produced by Pete Kipley, it was released on August 14, 2001, by INO Records. After releasing six albums as an unsigned band, they decided to pursue a record contract because it became too difficult to sell albums, book shows, and manage themselves. The band was assigned to work with Kipley, who had not produced a major project before. Four songs on the album had previously appeared on their self-released albums; the rest were newly recorded songs. Critics have characterized the music on the album as contemporary worship and pop rock, with a more radio-friendly sound than the band's self-released albums.

Almost There received critical acclaim from music critics, who praised the album's songwriting; "I Can Only Imagine" received particular compliments. Critics were more divided on the album's sound. Some felt the album was "innovative" or "fresh", while others felt it was middle-of-the-road or derivative. CCM Magazine listed it in their 25th anniversary edition as one of '100 Albums You Need to Own'.

"Bless Me Indeed (Jabez's Song)" was released as the album's lead single; however, it underperformed on the charts, leading initially to poorer than expected sales for the album. The second single, "I Can Only Imagine", peaked at number one on the Radio & Records Christian AC chart in 2002. Its success contributed to a sharp increase in sales, and the song stayed on the Christian charts so long that plans for a third single from the album were scrapped. After the song crossed over to mainstream radio in 2003, the album peaked at number 39 on the Billboard 200 and number one on the Billboard Christian Albums chart. Billboard ranked it as the fourth best-selling Christian album of the 2000s in the United States. Almost There has been certified triple platinum by the Recording Industry Association of America (RIAA) and has sold over 3 million copies in the United States. (Full article...)

Selected song

"I'm Goin' Down" is a rock song written and performed by American singer-songwriter Bruce Springsteen. It was released on August 27, 1985 by Columbia Records as the sixth single from his 1984 album Born in the U.S.A. The song was recorded with the E Street Band in May 1982 at Power Station studio in New York City, and co-produced by Springsteen, Jon Landau, Chuck Plotkin, and Steve Van Zandt. Although Springsteen had changing ideas about the songs to put on the album, "I'm Goin' Down" was ultimately selected for inclusion.

The recording is based on an energetic band performance that gives prominence to a heavy drum sound. The lyrics focus on sexual frustration in a deteriorating relationship. The single reached No. 9 on both Billboard and Cash Box and top 30 in Sweden, Italy, and Canada. On the album's release, it was praised by critics for the band's musicianship and Springsteen's vocals and lyrics. Later it received favorable rankings in retrospectives of Springsteen's career, among which was an NME list calling it his fourth best song.

Springsteen has not often performed the song since the Born in the U.S.A. Tour. Between 2002 and 2023, it appeared on about 6.5 percent of the set lists published on his official website. "I'm Goin' Down" has been covered by Frank Black and the Catholics, Trampled by Turtles, Free Energy, Vampire Weekend, and other artists. (Full article...)

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Credit: Sven-Sebastian Sajak

Billie Joe Armstrong, singer and guitarist of Green Day, stands on the Center Stage of Rock im Park Festival 2013.

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Glam metal (also known as hair metal or pop metal) is a subgenre of heavy metal that features pop-influenced hooks and guitar riffs, upbeat rock anthems, and slow power ballads. It borrows heavily from the fashion and image of 1970s glam rock.

Early glam metal evolved directly from the glam rock movement of the 1970s, as visual elements taken from acts such as T. Rex, the New York Dolls, and David Bowie (and to a lesser extent, the punk and new wave movements taking place concurrently in New York City) were fused with the decidedly more heavy metal leaning and theatrical acts such as Alice Cooper and Kiss. The first examples of this fusion began appearing in the late 1970s and early 1980s in the United States, particularly on the Los Angeles Sunset Strip music scene. Early glam metal bands include Mötley Crüe, Hanoi Rocks, Night Ranger, Ratt, Quiet Riot, Twisted Sister, Bon Jovi, and Dokken. Glam metal achieved significant commercial success from approximately 1983 to 1991, bringing to prominence bands such as Poison, Skid Row, Cinderella and Warrant. From a strictly visual perspective, glam metal is defined by flashy and tight-fitting clothing, makeup, and an overall androgynous aesthetic in which the traditional "denim & leather" aspect of heavy metal culture is replaced by spandex, lace, and usually heavy use of bright colours. (Full article...)

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"Goodbye" is a song recorded by Romanian group The Humans, released on 12 January 2018 by Roton. The track was written by vocalist Cristina Caramarcu, while production and composition were handled by fellow members Alexandru Matei and Alin Neagoe. "Goodbye" is a 1980s-inspired soft rock and pop rock ballad whose instrumentation includes a cello; lyrically, it is a manifesto that discourages the abandonment of one's dreams. It also discusses the overcoming of suicidal ideation, depression and internal battles. Reviewers likened the track to the music of Bonnie Tyler, Celine Dion and Heart.

"Goodbye" represented Romania in the Eurovision Song Contest 2018 in Lisbon, Portugal after winning the pre-selection show Selecția Națională. The country failed to qualify for the Grand Final for the first time in their participation history. During their highly acclaimed show, The Humans performed choreography in front of several white and black, masked mannequins, representing depersonalization and the loss of identity in modern times. Music critics gave the song itself generally negative reviews, criticizing the recording as underwhelming; some expressed doubt that Romania would qualify. (Full article...)

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