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The auteur theory is a theory of filmmaking in which the director is the main creative figure in a movie,[1] he is often also the screenwriter of the film.
Features[edit]
In Introduzione alla storia del cinema (Introduction to the history of cinema), the Italian writer Paolo Bertetto identifies some common elements of the film auteur.[2]
- He follows all the stages of film production, from the development of the idea to the editing, with particular attention to the screenplay;
- The auteurs films deal with complex and not very commercial contents, similar to a novel or a theatrical work;
- He must recognize himself as a style of the author, linked to his expressive originality;
- The auteurs films give less weight to pure entertainment, but they prefer to make the viewer reflect, so that he can no longer passively watch the projection;
- Often the auteurs films is included in a complex of works by the same author, for this recognizable.
See also[edit]
References[edit]
- ^ "Auteur theory". britannica.com. Retrieved 23 December 2017.
- ^ Bertetto, Paolo [in Italian] (2012). Introduzione alla storia del cinema. p. 112.
External links[edit]