Template:Did you know nominations/Lobet Gott in seinen Reichen, BWV 11
- The following is an archived discussion of the DYK nomination of the article below. Please do not modify this page. Subsequent comments should be made on the appropriate discussion page (such as this nomination's talk page, the article's talk page or Wikipedia talk:Did you know), unless there is consensus to re-open the discussion at this page. No further edits should be made to this page.
The result was: promoted by Yoninah (talk) 21:49, 20 May 2015 (UTC)
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Lobet Gott in seinen Reichen, BWV 11[edit]
... that Bach composed his Ascension Oratorio after his Christmas Oratorio, richly scored for the same forces including three trumpets and timpani, and similarly concluding with a chorale fantasia?
- Reviewed: Hedwig Kettler
- Comment: please before Pentecost, sorry for being late for Ascension Day
Improved to Good Article status by Gerda Arendt (talk). Self-nominated at 16:09, 16 May 2015 (UTC).
You've done an admirable job improving this to GA status. The article itself is fine, but I'm uncertain about the hook, which I find difficult to understand. What does "scored for the same forces" mean? By "forces", do you mean instruments? I think the hook could also be shorter and punchier. I would suggest a shorter and more readily understandable hook - perhaps something like the following. Prioryman (talk) 17:39, 16 May 2015 (UTC)
ALT1 ... that Bach's Ascension Oratorio follows the story of the Ascension of Jesus and concludes with a chorale fantasia?
- Thanks for looking, and so soon, but this is saying too little. The similarity to the (well-known) Christmas oratorio really seems worth mentioning. I would have said "instruments", if there weren't voices also. Simpler wording welcome, my try:
- ALT2: ... that in his Ascension Oratorio, as in his Christmas Oratorio, Bach used three trumpets and timpani, and ended with a chorale fantasia? --Gerda Arendt (talk) 18:12, 16 May 2015 (UTC)
