Talk:Rondo in A minor (Mozart)

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Draft in progress of mm. 134-135[edit]

Ok, now I have triplets and multiple notes in parallel. Still needed:

try to squeeze it all onto one line
align the turn somewhat further rightward still not done
get the bar number correct or suppress it

$\relative a'' { \key a \minor \time 6/8 \partial 8 e8 \set Score.currentBarNumber = #133 \tuplet 3/2 { dis16 (e f e) [ dis-. d-. ] } cis32-. c-. b-. bes-. a8 r a bes4_"crescendo" \startTrillSpan b8 c4 cis8 d4 f8 e32\f \stopTrillSpan (a32) gis-. g-. fis-. [f-. e-. dis-.] d-. [ c-. b-. a-.] << { \voiceOne c8.\p\turn d16 b8 } \new Voice { \voiceTwo a4 gis8 } >> \oneVoice a8 r8 }$

I wouldn't try to get it onto "one line" -- that's screen-size dependent. --SarekOfVulcan (talk) 19:13, 7 November 2017 (UTC)[reply]

Thanks for looking in! I won't try to make it one line, then. In other news, if you know how to control bar numbering (this is actually bars 134-135) and could tell me I would appreciate it very much. Opus33 (talk) 19:16, 7 November 2017 (UTC)[reply]

Fixed. :-) I may have been inaccurate about the screen-size dependency, though - I just resized my screen, and nothing changed. Still, I wouldn't mess with it, for general readability reasons.--SarekOfVulcan (talk) 20:19, 7 November 2017 (UTC)[reply]

Super! Thanks a lot. Re size -- fair enough. Opus33 (talk) 21:06, 7 November 2017 (UTC)[reply]

The appoggiatura variant -- notation[edit]

$\relative a'' { \key a \minor \time 6/8 \partial 8 e8 \grace { dis16 [ (e16 f 16] } e8.) dis16 e8 a, r a | c_"cre- scen- do" (bes (b8 d c) r16 cis16) (e8 d f ) \once \override TextScript #'script-priority = #-100 e^\turn^\markup { \sharp } (a) r16 a,16\p << { \voiceOne c8. d16 b8 } \new Voice { \voiceTwo a4 gis8 } >> \oneVoice a8 r8 }$

The appoggiatura variant with notated tempo rubato-- notation[edit]

(to be done, then posted with previous one)

$\relative a'' { \key a \minor \time 6/8 \partial 8 e8 \set Score.currentBarNumber = #85 \grace { dis16 [ (e16 f 16] } e8.) dis16 e8 a, r a_"crescendo" r16 c8 (bes16) r16 b16 r16 d8 (c16) r16 cis16 | r16 e8 (d16) r16 f16 e32\f [fis g gis] a [g f e] d [c b a] << { \voiceOne c8.\p\turn d16 b8 } \new Voice { \voiceTwo a4 gis8 } >> \oneVoice a8 r8 }$

Learn to do two staves[edit]

$<< \relative a'' \new Staff { \set Staff.midiInstrument = #"piano" \key a \minor \time 6/8 \set Score.tempoHideNote = ##t \tempo 8 = 120 \partial 8 e8\p \grace { dis16 [ (e16 f 16] } e8.) dis16 e8 a, r a bes4 (b8_"cre- scen- do" c4) cis8 d4 (dis8 e8) r8 a\p g16 (f) e (d) c (b) a8 (gis8)} \new Staff { \set Staff.midiInstrument = #"fortepiano" \set Staff.midiMaximumVolume = #0.3 r8 << { \voiceOne r8 <c' e'>8 <c' e'>8 r8 <c' e'>8 <c' e'>8 r8 <d' f'>8 <d' f'>8 r8 <e' g'>8 <e' g'>8 r8 <f' a'>8 <b a'>8 r8 <c' a'>8<c' e'>8 r b (d') c' (b) } \new Voice { \voiceTwo a4. a a a a a \clef "bass" d e4 } >> \oneVoice } >>$

Rubato variant with two staves[edit]

$<< \relative a'' \new Staff { \key a \minor \time 6/8 \set Score.tempoHideNote = ##t \tempo 8 = 120 \partial 8 e8 \set Score.currentBarNumber = #85 \grace { dis16 [ (e16 f 16] } e8.) dis16 e8 a, r a_"crescendo" r16 c8 (bes16) r16 b16 r16 d8 (c16) r16 cis16 | r16 e8 (d16) r16 f16 e32\f [fis g gis] a [g f e] d [c b a] << { \voiceOne c8.\p\turn d16 b8 } \new Voice { \voiceTwo a4 gis8 } >> \oneVoice a8 r8 } \new Staff { \set Staff.midiInstrument = #"fortepiano" \set Staff.midiMaximumVolume = #0.3 r8 << { \voiceOne r8 <c' e'>8 <c' e'>8 r8 <c' e'>8 <c' e'>8 r8 <d' f'>8 <d' f'>8 r8 <e' g'>8 <e' g'>8 r8 <f' a'>8 <b gis'>8 <c' a'>8 } \new Voice { \voiceTwo a4. a a a a a8 } >> \oneVoice r8 r8 << { \voiceOne e'4 (d'8) c' r } \new Voice { \voiceTwo \clef "bass" e4. a8 } >> } >>$

Appoggiatura variant with two staves[edit]

$<< \relative a'' \new Staff { \key a \minor \time 6/8 \set Score.tempoHideNote = ##t \tempo 8 = 120 \partial 8 e8 \grace { dis16 [ (e16 f 16] } e8.) dis16 e8 a, r a | c_"cre- scen- do" (bes (b8 d c) r16 cis16) (e8 d f ) \once \override TextScript #'script-priority = #-100 e^\turn^\markup { \sharp } (a) r16 a,16\p << { \voiceOne c8. d16 b8 } \new Voice { \voiceTwo a4 gis8 } >> \oneVoice a8 r8 } \new Staff { \set Staff.midiInstrument = #"fortepiano" \set Staff.midiMaximumVolume = #0.3 r8 << { \voiceOne r8 <c' e'>8 <c' e'>8 r8 <cis' e'>8 <cis' e'>8 r8 <d' f'>8 <d' f'>8 r8 <e' g'>8 <e' g'>8 r8 <f' a'>8 <b gis'>8 <c' a'>8 } \new Voice { \voiceTwo a4. a a a a a8 } >> \oneVoice r8 r8 << { \voiceOne e'4 (d'8) c' r } \new Voice { \voiceTwo \clef "bass" e4. a8 } >> } >>$

Trilled variant with two staves[edit]

$<< \relative a'' \new Staff { \key a \minor \time 6/8 \set Score.tempoHideNote = ##t \tempo 8 = 120 \partial 8 e8 \set Score.currentBarNumber = #133 \tuplet 3/2 { dis16 (e f e) [ dis-. d-. ] } cis32-. c-. b-. bes-. a8 r a bes4_"crescendo" \startTrillSpan b8 c4 cis8 d4 f8 e32\f \stopTrillSpan (a32) gis-. g-. fis-. [f-. e-. dis-.] d-. [ c-. b-. a-.] << { \voiceOne c8.\p\turn d16 b8 } \new Voice { \voiceTwo a4 gis8 } >> \oneVoice a8 r8 } \new Staff { \set Staff.midiInstrument = #"fortepiano" \set Staff.midiMaximumVolume = #0.3 r8 << { \voiceOne r8 <c' e'>8 <c' e'>8 r8 <cis' e'>8 <cis' e'>8 r8 <d' f'>8 <d' f'>8 r8 <e' g'>8 <e' g'>8 r8 <f' a'>8 <b gis'>8 <c' a'>8 } \new Voice { \voiceTwo a4. a a a a a8 } >> \oneVoice r8 r8 << { \voiceOne e'4 (d'8) c' r } \new Voice { \voiceTwo \clef "bass" e4. a8 } >> } >>$

NMA for easy consultation[edit]

Rondo in a KV 511: Score and critical report (in German) in the Neue Mozart-Ausgabe