Grace Nortey

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Grace Nortey
Born (1937-02-01) 1 February 1937 (age 87)
Ghana
OccupationActress
Years active1970s–present
Children5

Grace Nortey (born February 1, 1937) is a Ghanaian actress who has played several lead roles on Ghanaian television.[1] She has been active in the film, theater, and drama industries for over five decades and is considered as one of the veterans of Ghanaian theatre and drama.

Career[edit]

She has starred in some of the most memorable movie productions released by the National Film and Television Institute (NAFTI).[2] Throughout her long and illustrious career on television, she has gained considerable recognition and admiration for her role in paving the way for women's active involvement in the performing arts. Grace is recognised as one of the most prominent and versatile Ghanaian female actresses to bring comedy and drama to the masses, particularly in TV programmes such as Akan Drama and TV Theatre. In doing so, she championed the cause of women in a male-dominated society, challenged the asymmetric power relations between the rich and the poor, and lent voice to the disadvantaged and oppressed through resistance and open rejection of discriminatory traditions and unethical practices.

She was often typecast as a feisty, vocal, assertive, eloquent, no-nonsense, and strong-willed matriarch who confronted outmoded and discriminatory traditions and practices, including the deeply conservative views of the patriarchy, male dominance, backward and dehumanising socio-cultural practices against women and girls, class discrimination, institutional corruption, and social injustice, among others. One significant attribute of Grace's numerous performances, which have won her millions of adoring fans is how she often took on formidable male opponents with unflinching resolve and dogged determination.

Nortey's popularity is largely attributed to numerous onscreen confrontations with unwieldy and intransigent male adversaries, including the likes of Solomon Sampa, MacJordan Amartey, George Williams, Kofi Adjorlolo, and William Addo (Akpatse), among others. Some of her most memorable onscreen confrontations involve lengthy, passionate, but hilarious verbal altercations with these dominant men, with both sides refusing to back down. Her outstanding performances in these roles as a firm and assertive matriarch who sought justice have earned her a great deal of affection and popular acclaim among viewers and critics alike. Through the repeated playing of these stereotypical roles over time, Grace gained a fearsome onscreen reputation as a feisty and vociferous woman who never hesitates to defend her principles and values. Her consistent portrayal of these formidable characters in theatre, film and drama therefore earned her the nickname "Maame Gyata" (Lion Woman/Lion Lady), thus cementing her reputation as a tough woman who is not to be trifled with.

Nortey was particularly active between the 80s and the turn of the millennium—the period often described as the golden age of Ghanaian theatre and drama when primetime evening entertainment TV programmes such as "Obra," "Osofo Dadzie," "Key Soap Concert Party," "Cantata," "Taxi Driver," and "Thursday Theatre" were at the height of their popularity. She had starred in numerous stage productions prior to appearing in film and television. Before gaining fame on television, she hosted a radio talk show for Ga women ("Nyeawokoshie") on Radio One in the 1970s. Her first major appearance on the screen was in the 1986 King Ampaw/Peter Wohlgemuth-Reinery co-produced Afro Movies comic film "Juju," where she played the wife of fellow veteran actor Joe Eyison, alongside the likes of Emmanuel Agbenowu, Grace Ofoe, Osei Kwabena, and Evans Oma Hunter, among others. Since then, she has starred in countless movies, theatre productions, and drama series with both of her contemporaries and the new generation of Ghanaian actors. Some of her most notable movies include Lost Hope, Dza Gbele, Matters of the Heart, Sekina, Expectations, Jewels, Beasts of No Nation (2015), Ties That Bind (2011), Sinking Sands (2011), Nana Akoto (1985), Escape to Love (1996), and The Other Side of The Rich (1992), among others.

Nortey has worked with several notable actors, writers, directors, and producers in the Ghanaian arts and performance industry. Some of Grace's most notable co-actors and contemporaries in the movie industry include Solomon Sampah (Quench Walahi), Regina Pornortey, Grace Omaboe, George Williams, Monica Quarqopono, MacJordan Amartey, Emmanuel Ceedo, Amanorbea Dodoo, Wiliam Abbey Okai, Joe Eyison (Station Master), Fred Amugi, Kofi Adjorlolo, Agnes Dapaah, Margaret Quainoo, Cecilia Adjei, Paa Kwesi Ackom, Boatemaa Owusu, Ebo Banson, Araba Kwansema Okyire, Kofi Middleton Mends, George B. Williams, Vera Mensah, Mavis Odonkor, Sussie Okine, Dr Rokoto, Emmanuel Armah, Abeiku Sagoe, and Dzifa Glikpoe, among others. Her mentors and role models in the arts and performance industry include Ernest Abbeyquaye, Kofi Mends, Abbey Okine, and Glover Akpe. Alongside acting, she was also employed as a Senior assistant with the Ghana Education Service.

Problems with her physical health and eyesight in recent years mean that she no longer takes on highly scripted or physically demanding acting roles due to restrictions on her mobility and the challenges of reading long scripts. Nonetheless, she still performs minor roles in movies and drama, which require less physical movement and also provides greater scope for onset improvisation.[3]

Advocacy[edit]

Nortey is a member of the Ghana Actors Guild, which seeks to promote the welfare of members past and present. Nortey has championed the cause of veteran actors in the film and television industry, focusing on widespread instances of loneliness, poverty, and their continued neglect in old age. In particular, she has highlighted the plight of aged, infirm, and unemployed actors who are either side-lined for roles or living in destitution because of the lack of proper retirement packages to cater for their upkeep. She has also stressed the need for government agencies, associations and the wider Ghanaian community to recognise the immense contributions and sacrifices of veteran actors to film and television.

Nortey has also stressed the need for actors to obtain formal education and educational training in acting before pursuing a full-time career in the industry. She's of the view that “acting is a bit easier and lucrative, but it is not something one could do for the rest of her life. Acting is seasoned; for about ten to fifteen years, one will still not be the strong person as she used to be”. She has also highlighted the need for female actresses to be mindful of nude scenes and overly expose themselves onscreen to gain popularity. In her view, it is important that female actresses discuss any sensitive roles with their husbands and partners before agreeing to take them on.

Personal life[edit]

Nortey has five children. Grace is the mother of Sheila Nortey who is also an actress.

Filmography[edit]

Film[edit]

Year Film Role Notes
1985 Nana Akoto
1992 The Other Side of the Rich Mrs. Ampofo
2006 Frozen Emotion Direct-to-video
2008 Before My Eyes Wummi Direct-to-video
2011 Sinking Sands Grandma
Ties That Bind Church Member
2015 Beasts of No Nation Old Witch Woman
2019 P over D Ayorkor
'95 Old Woman

Awards[edit]

  • Best Cameo Actress (Movie: "Adams Apple") - Ghana Movie Awards (2011[2])
  • Excellence in Arts - Glitz Women of the Year Honours (2016)
  • Lifetime Achievement Award - Black Star International Film Festival (BSIFF) Awards (2018)
  • Legendary Award for Outstanding Contributions: Ghana Actors Entertainment Award (GAEA) - (2020)
  • Outstanding Contribution to Women's Excellence in The Performing Arts - 3Music Awards Women's Brunch (2021)

References[edit]

  1. ^ "Glitz top 100 inspirational women – Page 100 – Glitz Africa Magazine". Retrieved 28 May 2022.
  2. ^ a b "Grace Nortey Marks 87th Birthday". DailyGuide Network. 5 February 2024. Retrieved 20 April 2024.
  3. ^ "Grace Nortey celebrates her 80th birthday". www.ghanaweb.com. 2 February 2017. Retrieved 4 March 2017.