Der Ararat
| Categories |
|
|---|---|
| Publisher | Goltzverlag |
| Founded | 1918 |
| Final issue | 1921 |
| Country | Germany |
| Based in | Munich |
| Language | German |
Der Ararat was a Dadaist magazine published in Munich between 1918 and 1921. Its subtitle was Glossen, Skizzen und Notizen zur Neuen Kunst (German: Glosses, sketches and notes on new art).[1]
History and profile[edit]
Der Ararat was started in 1918.[2] Its owner was Hans Goltz. The magazine was published by Goltzverlag based in Munich.[1] It focused on politics until December 1919 and then, featured articles on new art.[3]
Der Ararat covered discussions and reviews of Dadaist art. Konstantin Umansky, a Soviet art critic, published articles in Der Ararat one of which was about Vladimir Tatlin’s art.[4][5] The magazine folded in 1921.[2]
Some issues of Der Ararat were archived by the University of Iowa.[2]
References[edit]
- ^ a b "Der Ararat" (in German). kunsthaus.ch. Retrieved 3 October 2023.
- ^ a b c "Der Ararat". sdrc.lib.uiowa.edu. Retrieved 3 October 2023.
- ^ Carlotta Castellani (July 2020). "Metaphysical Masterpieces 1916–1920: Morandi, Sironi, and Carrà". Italian Modern Art (4).
- ^ Maria Elena Versari (July 2020). ""Chiriko wird Akademikprofessor": Expectations, Misunderstandings, and Appropriations of Pittura Metafisica Among the 1920s European Avant-Garde". Italian Modern Art (4).
- ^ Katharina Hoins (July 2017). "Johannes Baader's Postwar Plasto-Dio-Dada-Drama and German War Exhibitions during World War I". Dada/Surrealism. 21: 12. doi:10.17077/0084-9537.1336.