| Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
| 1
|
Thomas Jefferson
|
241,723
|
8,057
|
B
|
Mid
|
| 2
|
Andy Warhol
|
179,618
|
5,987
|
B
|
Mid
|
| 3
|
Friedrich Nietzsche
|
173,826
|
5,794
|
B
|
High
|
| 4
|
Aristotle
|
170,157
|
5,671
|
GA
|
High
|
| 5
|
Oscar Wilde
|
166,779
|
5,559
|
GA
|
Low
|
| 6
|
Plato
|
157,784
|
5,259
|
B
|
High
|
| 7
|
Leo Tolstoy
|
127,237
|
4,241
|
B
|
Mid
|
| 8
|
Ayn Rand
|
123,213
|
4,107
|
GA
|
Mid
|
| 9
|
Immanuel Kant
|
117,954
|
3,931
|
C
|
High
|
| 10
|
Romanticism
|
93,954
|
3,131
|
C
|
High
|
| 11
|
Johann Wolfgang von Goethe
|
77,125
|
2,570
|
B
|
Mid
|
| 12
|
Art
|
76,562
|
2,552
|
B
|
High
|
| 13
|
Retrofuturism
|
70,850
|
2,361
|
B
|
Low
|
| 14
|
Georg Wilhelm Friedrich Hegel
|
70,172
|
2,339
|
GA
|
High
|
| 15
|
Slavoj Žižek
|
69,679
|
2,322
|
B
|
High
|
| 16
|
Uncanny valley
|
69,015
|
2,300
|
B
|
Low
|
| 17
|
Impressionism
|
66,839
|
2,227
|
C
|
Low
|
| 18
|
Marquis de Sade
|
66,544
|
2,218
|
B
|
Mid
|
| 19
|
Postmodernism
|
66,401
|
2,213
|
C
|
Mid
|
| 20
|
Bauhaus
|
66,244
|
2,208
|
B
|
Low
|
| 21
|
Baroque
|
63,149
|
2,104
|
C
|
Low
|
| 22
|
Dada
|
61,144
|
2,038
|
B
|
Low
|
| 23
|
Model (person)
|
59,201
|
1,973
|
C
|
Low
|
| 24
|
Søren Kierkegaard
|
57,562
|
1,918
|
B
|
High
|
| 25
|
Arthur Schopenhauer
|
56,749
|
1,891
|
B
|
High
|
| 26
|
Surrealism
|
56,632
|
1,887
|
B
|
Low
|
| 27
|
Aesthetics
|
54,246
|
1,808
|
C
|
High
|
| 28
|
Eye of Providence
|
52,423
|
1,747
|
C
|
Low
|
| 29
|
Semiotics
|
52,004
|
1,733
|
C
|
Mid
|
| 30
|
Avant-garde
|
47,420
|
1,580
|
C
|
Low
|
| 31
|
David Hume
|
46,282
|
1,542
|
B
|
High
|
| 32
|
Ptolemy
|
45,539
|
1,517
|
B
|
Mid
|
| 33
|
Martin Heidegger
|
45,333
|
1,511
|
C
|
High
|
| 34
|
Edmund Burke
|
42,901
|
1,430
|
B
|
Mid
|
| 35
|
Wabi-sabi
|
42,772
|
1,425
|
C
|
Low
|
| 36
|
Cubism
|
40,955
|
1,365
|
B
|
Low
|
| 37
|
Sexual attraction
|
40,860
|
1,362
|
C
|
Low
|
| 38
|
Modernism
|
40,649
|
1,354
|
B
|
High
|
| 39
|
Objectivism
|
37,913
|
1,263
|
B
|
Mid
|
| 40
|
Kitsch
|
36,864
|
1,228
|
C
|
Mid
|
| 41
|
Expressionism
|
35,771
|
1,192
|
C
|
Low
|
| 42
|
Susan Sontag
|
35,112
|
1,170
|
B
|
Mid
|
| 43
|
Design
|
34,788
|
1,159
|
C
|
Low
|
| 44
|
Comedy
|
34,144
|
1,138
|
C
|
Mid
|
| 45
|
Harlem Renaissance
|
33,179
|
1,105
|
B
|
Low
|
| 46
|
Eroticism
|
32,980
|
1,099
|
C
|
Low
|
| 47
|
John Ruskin
|
32,526
|
1,084
|
B
|
Low
|
| 48
|
Neoclassicism
|
32,276
|
1,075
|
C
|
Low
|
| 49
|
Samuel Taylor Coleridge
|
32,219
|
1,073
|
C
|
Low
|
| 50
|
John Dewey
|
32,092
|
1,069
|
B
|
High
|
| 51
|
Umberto Eco
|
31,588
|
1,052
|
B
|
Mid
|
| 52
|
Beauty
|
31,005
|
1,033
|
C
|
Mid
|
| 53
|
Pragmatism
|
30,193
|
1,006
|
B
|
High
|
| 54
|
Physical attractiveness
|
30,161
|
1,005
|
B
|
Mid
|
| 55
|
Arts and Crafts movement
|
29,311
|
977
|
B
|
Low
|
| 56
|
Symbolism (arts)
|
28,400
|
946
|
C
|
Low
|
| 57
|
Jacques Lacan
|
28,058
|
935
|
B
|
High
|
| 58
|
Futurism
|
27,872
|
929
|
B
|
Low
|
| 59
|
Punk subculture
|
27,812
|
927
|
Start
|
Low
|
| 60
|
Pop art
|
27,156
|
905
|
C
|
Low
|
| 61
|
Fluxus
|
25,588
|
852
|
Start
|
Low
|
| 62
|
Pastiche
|
25,068
|
835
|
Start
|
Low
|
| 63
|
Gilles Deleuze
|
24,549
|
818
|
B
|
High
|
| 64
|
Catharsis
|
23,764
|
792
|
C
|
High
|
| 65
|
Creativity
|
23,044
|
768
|
B
|
High
|
| 66
|
Fine art
|
22,879
|
762
|
C
|
Mid
|
| 67
|
Walter Benjamin
|
22,679
|
755
|
B
|
Mid
|
| 68
|
Kawaii
|
22,136
|
737
|
C
|
Low
|
| 69
|
Marshall McLuhan
|
21,671
|
722
|
B
|
Mid
|
| 70
|
Theodor W. Adorno
|
21,630
|
721
|
C
|
High
|
| 71
|
Post-Impressionism
|
21,425
|
714
|
C
|
Low
|
| 72
|
Irony
|
20,692
|
689
|
C
|
Mid
|
| 73
|
Friedrich Schiller
|
20,334
|
677
|
C
|
Mid
|
| 74
|
Humour
|
20,067
|
668
|
C
|
Mid
|
| 75
|
Minimalism
|
20,027
|
667
|
C
|
Mid
|
| 76
|
Abstract expressionism
|
18,811
|
627
|
C
|
Low
|
| 77
|
Herbert Marcuse
|
18,796
|
626
|
B
|
Mid
|
| 78
|
The Death of the Author
|
18,193
|
606
|
Start
|
Low
|
| 79
|
Roland Barthes
|
18,165
|
605
|
C
|
Mid
|
| 80
|
History of music
|
17,605
|
586
|
B
|
Low
|
| 81
|
Denis Diderot
|
17,390
|
579
|
C
|
Mid
|
| 82
|
Patanjali
|
17,231
|
574
|
C
|
High
|
| 83
|
Simulacrum
|
17,161
|
572
|
Start
|
Low
|
| 84
|
Georges Bataille
|
15,872
|
529
|
C
|
Mid
|
| 85
|
Jonathan Edwards (theologian)
|
15,773
|
525
|
B
|
Low
|
| 86
|
Aestheticism
|
15,637
|
521
|
Start
|
Low
|
| 87
|
Literary criticism
|
14,951
|
498
|
Start
|
Mid
|
| 88
|
Escapism
|
14,849
|
494
|
Start
|
Low
|
| 89
|
Sturm und Drang
|
14,501
|
483
|
C
|
Low
|
| 90
|
Roger Scruton
|
14,443
|
481
|
B
|
Mid
|
| 91
|
Artist
|
13,874
|
462
|
Start
|
Mid
|
| 92
|
The Doors of Perception
|
13,718
|
457
|
B
|
Low
|
| 93
|
Psychoanalytic theory
|
13,716
|
457
|
C
|
High
|
| 94
|
Decadent movement
|
13,651
|
455
|
Start
|
Low
|
| 95
|
Retro style
|
13,548
|
451
|
C
|
Low
|
| 96
|
Paradigm
|
13,536
|
451
|
Start
|
High
|
| 97
|
De Stijl
|
13,480
|
449
|
C
|
Low
|
| 98
|
Symposium (Plato)
|
13,282
|
442
|
C
|
High
|
| 99
|
Constructivism (art)
|
13,146
|
438
|
B
|
Low
|
| 100
|
Classicism
|
13,052
|
435
|
Start
|
Mid
|
| 101
|
Poetics (Aristotle)
|
12,986
|
432
|
C
|
High
|
| 102
|
Plotinus
|
12,715
|
423
|
C
|
High
|
| 103
|
Essentialism
|
12,585
|
419
|
Start
|
Mid
|
| 104
|
Suspension of disbelief
|
12,505
|
416
|
C
|
Low
|
| 105
|
Conceptual art
|
11,908
|
396
|
C
|
Low
|
| 106
|
Mimesis
|
11,867
|
395
|
Start
|
Low
|
| 107
|
Giorgio Vasari
|
11,335
|
377
|
C
|
Mid
|
| 108
|
George Santayana
|
11,274
|
375
|
C
|
Mid
|
| 109
|
György Lukács
|
11,169
|
372
|
C
|
Mid
|
| 110
|
Grotesque
|
11,133
|
371
|
C
|
Low
|
| 111
|
Rhyme
|
10,907
|
363
|
C
|
Low
|
| 112
|
Imagination
|
10,777
|
359
|
Start
|
Mid
|
| 113
|
Decadence
|
10,751
|
358
|
C
|
Low
|
| 114
|
Neo-expressionism
|
10,749
|
358
|
Start
|
Low
|
| 115
|
Ensō
|
10,581
|
352
|
C
|
Low
|
| 116
|
Mikhail Bakhtin
|
10,565
|
352
|
B
|
Mid
|
| 117
|
Periods in Western art history
|
10,472
|
349
|
List
|
Low
|
| 118
|
Suprematism
|
10,428
|
347
|
Start
|
Low
|
| 119
|
Feminine beauty ideal
|
10,412
|
347
|
Start
|
Mid
|
| 120
|
Hudson River School
|
10,387
|
346
|
C
|
Low
|
| 121
|
Art for art's sake
|
10,282
|
342
|
Start
|
Low
|
| 122
|
The Work of Art in the Age of Mechanical Reproduction
|
10,173
|
339
|
C
|
Mid
|
| 123
|
Sublime (philosophy)
|
10,104
|
336
|
C
|
Mid
|
| 124
|
Rasa (aesthetics)
|
10,055
|
335
|
Start
|
Low
|
| 125
|
Art movement
|
10,051
|
335
|
Start
|
Low
|
| 126
|
Fredric Jameson
|
10,024
|
334
|
C
|
Mid
|
| 127
|
Form follows function
|
9,768
|
325
|
C
|
Low
|
| 128
|
Philistinism
|
9,746
|
324
|
Start
|
Low
|
| 129
|
Eclecticism
|
9,720
|
324
|
C
|
Mid
|
| 130
|
Kokoro
|
9,541
|
318
|
C
|
Low
|
| 131
|
Work of art
|
9,369
|
312
|
Start
|
Mid
|
| 132
|
Johann Gottlieb Fichte
|
9,336
|
311
|
C
|
High
|
| 133
|
Academic art
|
9,084
|
302
|
C
|
Low
|
| 134
|
Didacticism
|
8,963
|
298
|
Start
|
Low
|
| 135
|
The World as Will and Representation
|
8,955
|
298
|
B
|
High
|
| 136
|
Postmodern art
|
8,896
|
296
|
B
|
Low
|
| 137
|
Musica universalis
|
8,894
|
296
|
C
|
Low
|
| 138
|
Terry Eagleton
|
8,718
|
290
|
C
|
Mid
|
| 139
|
Hamartia
|
8,716
|
290
|
C
|
Low
|
| 140
|
Nicholas Roerich
|
8,711
|
290
|
B
|
Mid
|
| 141
|
Moses Mendelssohn
|
8,650
|
288
|
C
|
Mid
|
| 142
|
Joseph Beuys
|
8,473
|
282
|
B
|
Low
|
| 143
|
Acquired taste
|
8,401
|
280
|
Start
|
Low
|
| 144
|
On the Genealogy of Morality
|
8,384
|
279
|
Start
|
High
|
| 145
|
Op art
|
8,259
|
275
|
Start
|
Low
|
| 146
|
Maximalism
|
8,053
|
268
|
Start
|
Low
|
| 147
|
Social realism
|
7,994
|
266
|
Start
|
Low
|
| 148
|
Phonaesthetics
|
7,982
|
266
|
C
|
Low
|
| 149
|
Human physical appearance
|
7,959
|
265
|
Start
|
Low
|
| 150
|
Mimetic theory
|
7,944
|
264
|
Start
|
Low
|
| 151
|
Johann Gottfried Herder
|
7,907
|
263
|
C
|
Mid
|
| 152
|
Historicism
|
7,865
|
262
|
C
|
Mid
|
| 153
|
Friedrich Wilhelm Joseph Schelling
|
7,786
|
259
|
C
|
High
|
| 154
|
Photorealism
|
7,649
|
254
|
B
|
Low
|
| 155
|
Chinoiserie
|
7,624
|
254
|
C
|
Mid
|
| 156
|
Metanarrative
|
7,491
|
249
|
C
|
Mid
|
| 157
|
Theories of humor
|
7,407
|
246
|
Start
|
Mid
|
| 158
|
Primitivism
|
7,387
|
246
|
C
|
Low
|
| 159
|
Ludwig Feuerbach
|
7,356
|
245
|
C
|
Mid
|
| 160
|
Novalis
|
7,355
|
245
|
GA
|
Mid
|
| 161
|
Experience machine
|
7,166
|
238
|
Start
|
Low
|
| 162
|
Film criticism
|
7,129
|
237
|
Start
|
Low
|
| 163
|
American Craftsman
|
7,111
|
237
|
Start
|
Low
|
| 164
|
Ekphrasis
|
7,054
|
235
|
C
|
Mid
|
| 165
|
Algernon Charles Swinburne
|
6,862
|
228
|
Start
|
Low
|
| 166
|
Axiology
|
6,838
|
227
|
Start
|
Mid
|
| 167
|
Musicology
|
6,731
|
224
|
C
|
Low
|
| 168
|
History of painting
|
6,684
|
222
|
C
|
Low
|
| 169
|
José Ortega y Gasset
|
6,626
|
220
|
C
|
Low
|
| 170
|
André Malraux
|
6,574
|
219
|
B
|
Low
|
| 171
|
Interpersonal attraction
|
6,536
|
217
|
C
|
Low
|
| 172
|
Jean-François Lyotard
|
6,392
|
213
|
B
|
Mid
|
| 173
|
Hurufiyya movement
|
6,330
|
211
|
B
|
Low
|
| 174
|
Mathematical beauty
|
6,326
|
210
|
Start
|
Low
|
| 175
|
Post-irony
|
6,316
|
210
|
Stub
|
Low
|
| 176
|
Either/Or
|
6,294
|
209
|
C
|
High
|
| 177
|
Tragic hero
|
6,288
|
209
|
Start
|
Low
|
| 178
|
Henri Lefebvre
|
6,245
|
208
|
C
|
Mid
|
| 179
|
Romantic literature in English
|
6,244
|
208
|
C
|
Low
|
| 180
|
Feminist literary criticism
|
6,155
|
205
|
Start
|
Low
|
| 181
|
Mathematics and art
|
6,132
|
204
|
GA
|
Mid
|
| 182
|
Distancing effect
|
6,073
|
202
|
Start
|
Low
|
| 183
|
Cuteness
|
6,067
|
202
|
Start
|
Low
|
| 184
|
Japanese aesthetics
|
5,936
|
197
|
C
|
Low
|
| 185
|
Friedrich Schleiermacher
|
5,871
|
195
|
B
|
Mid
|
| 186
|
Judgement
|
5,866
|
195
|
Start
|
Low
|
| 187
|
Gaze
|
5,822
|
194
|
Start
|
Mid
|
| 188
|
New Objectivity
|
5,787
|
192
|
Start
|
Low
|
| 189
|
Color field
|
5,704
|
190
|
B
|
Low
|
| 190
|
Applied arts
|
5,624
|
187
|
Start
|
Low
|
| 191
|
Cool (aesthetic)
|
5,544
|
184
|
B
|
Low
|
| 192
|
Hans-Georg Gadamer
|
5,543
|
184
|
C
|
High
|
| 193
|
Formalism (literature)
|
5,512
|
183
|
Start
|
Low
|
| 194
|
Life imitating art
|
5,504
|
183
|
Stub
|
Low
|
| 195
|
Disgust
|
5,502
|
183
|
Start
|
Low
|
| 196
|
Anamorphosis
|
5,382
|
179
|
Start
|
Mid
|
| 197
|
I. A. Richards
|
5,379
|
179
|
C
|
Mid
|
| 198
|
Mirror stage
|
5,270
|
175
|
C
|
Mid
|
| 199
|
Empire style
|
5,263
|
175
|
Start
|
Low
|
| 200
|
List of sitcoms known for negative reception
|
5,226
|
174
|
List
|
Low
|
| 201
|
Ars Poetica (Horace)
|
5,164
|
172
|
C
|
Low
|
| 202
|
Michael Oakeshott
|
5,129
|
170
|
C
|
Low
|
| 203
|
Northrop Frye
|
5,095
|
169
|
C
|
Low
|
| 204
|
Rhetoric (Aristotle)
|
5,017
|
167
|
C
|
Mid
|
| 205
|
Jacques Maritain
|
4,943
|
164
|
C
|
Mid
|
| 206
|
Sandhi
|
4,940
|
164
|
Start
|
Low
|
| 207
|
Abhinavagupta
|
4,938
|
164
|
B
|
Low
|
| 208
|
Barbizon School
|
4,924
|
164
|
Start
|
Low
|
| 209
|
Style (visual arts)
|
4,852
|
161
|
Start
|
High
|
| 210
|
Gotthold Ephraim Lessing
|
4,850
|
161
|
C
|
Mid
|
| 211
|
Jefferson–Hemings controversy
|
4,848
|
161
|
B
|
Low
|
| 212
|
Ananda Coomaraswamy
|
4,800
|
160
|
C
|
Mid
|
| 213
|
Stuckism
|
4,709
|
156
|
GA
|
Low
|
| 214
|
Film theory
|
4,653
|
155
|
Start
|
Mid
|
| 215
|
Surrealist automatism
|
4,568
|
152
|
C
|
Low
|
| 216
|
Violence in art
|
4,548
|
151
|
C
|
Low
|
| 217
|
Superflat
|
4,510
|
150
|
Start
|
Low
|
| 218
|
Benedetto Croce
|
4,428
|
147
|
C
|
Mid
|
| 219
|
Kinetic art
|
4,360
|
145
|
Start
|
Low
|
| 220
|
Jean Anthelme Brillat-Savarin
|
4,341
|
144
|
GA
|
Low
|
| 221
|
Unattractiveness
|
4,338
|
144
|
Start
|
Low
|
| 222
|
Walter Pater
|
4,292
|
143
|
B
|
Mid
|
| 223
|
Nabis (art)
|
4,290
|
143
|
Start
|
Low
|
| 224
|
American Realism
|
4,258
|
141
|
Start
|
Low
|
| 225
|
Shin-hanga
|
4,255
|
141
|
C
|
Low
|
| 226
|
On the Sublime
|
4,221
|
140
|
C
|
Mid
|
| 227
|
Against Interpretation
|
4,137
|
137
|
Start
|
Low
|
| 228
|
Notes on "Camp"
|
4,066
|
135
|
Start
|
Low
|
| 229
|
Peripeteia
|
4,055
|
135
|
C
|
Low
|
| 230
|
Neo-romanticism
|
3,939
|
131
|
Start
|
Low
|
| 231
|
Anagnorisis
|
3,921
|
130
|
Start
|
Low
|
| 232
|
Critique of Judgment
|
3,837
|
127
|
C
|
High
|
| 233
|
On Photography
|
3,705
|
123
|
Start
|
Low
|
| 234
|
Black Arts Movement
|
3,702
|
123
|
C
|
Low
|
| 235
|
Friedrich Schlegel
|
3,589
|
119
|
Start
|
Low
|
| 236
|
Picturesque
|
3,579
|
119
|
B
|
Low
|
| 237
|
Roger Fry
|
3,505
|
116
|
C
|
Low
|
| 238
|
A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
|
3,502
|
116
|
Start
|
Low
|
| 239
|
Ashcan School
|
3,479
|
115
|
Start
|
Low
|
| 240
|
Arte Povera
|
3,462
|
115
|
Start
|
Low
|
| 241
|
Orphism (art)
|
3,441
|
114
|
C
|
Low
|
| 242
|
Historicism (art)
|
3,385
|
112
|
Stub
|
Mid
|
| 243
|
The Sublime Object of Ideology
|
3,374
|
112
|
Stub
|
Low
|
| 244
|
Postmodern music
|
3,363
|
112
|
C
|
Low
|
| 245
|
Exoticism
|
3,359
|
111
|
Start
|
Low
|
| 246
|
Phonestheme
|
3,345
|
111
|
Start
|
Low
|
| 247
|
Anti-art
|
3,342
|
111
|
Start
|
Low
|
| 248
|
Chinese ideals of female beauty
|
3,325
|
110
|
Start
|
Low
|
| 249
|
Enneads
|
3,250
|
108
|
Start
|
Mid
|
| 250
|
Hubert Dreyfus
|
3,231
|
107
|
Start
|
Mid
|
| 251
|
Postminimalism
|
3,218
|
107
|
Start
|
Low
|
| 252
|
Shibui
|
3,166
|
105
|
Start
|
Low
|
| 253
|
Clement Greenberg
|
3,147
|
104
|
C
|
Mid
|
| 254
|
Zaum
|
3,147
|
104
|
Start
|
Low
|
| 255
|
Regionalism (art)
|
3,120
|
104
|
Start
|
Low
|
| 256
|
Fact–value distinction
|
3,101
|
103
|
Start
|
High
|
| 257
|
Ernst Gombrich
|
3,096
|
103
|
Start
|
Mid
|
| 258
|
Iki (aesthetics)
|
3,057
|
101
|
Start
|
Low
|
| 259
|
Capitalist realism
|
3,050
|
101
|
C
|
Low
|
| 260
|
Theory of art
|
3,050
|
101
|
Start
|
Mid
|
| 261
|
Women in music
|
3,028
|
100
|
C
|
Low
|
| 262
|
Maurice Blanchot
|
2,978
|
99
|
Start
|
Mid
|
| 263
|
R. G. Collingwood
|
2,977
|
99
|
C
|
Mid
|
| 264
|
Baroque Revival architecture
|
2,922
|
97
|
Start
|
Low
|
| 265
|
Supervenience
|
2,907
|
96
|
B
|
Mid
|
| 266
|
Aestheticization of politics
|
2,889
|
96
|
Start
|
Low
|
| 267
|
Postmodernism, or, the Cultural Logic of Late Capitalism
|
2,884
|
96
|
Stub
|
Mid
|
| 268
|
Criticism of postmodernism
|
2,872
|
95
|
Start
|
Low
|
| 269
|
Formalism (art)
|
2,868
|
95
|
Start
|
Low
|
| 270
|
Why I Want to Fuck Ronald Reagan
|
2,852
|
95
|
Start
|
Low
|
| 271
|
Vernon Lee
|
2,839
|
94
|
C
|
Low
|
| 272
|
Paul de Man
|
2,829
|
94
|
C
|
Low
|
| 273
|
Neo-Dada
|
2,817
|
93
|
Stub
|
Low
|
| 274
|
Kenneth Burke
|
2,718
|
90
|
C
|
Low
|
| 275
|
Lyrical abstraction
|
2,713
|
90
|
Start
|
Low
|
| 276
|
Clive Bell
|
2,706
|
90
|
Start
|
Mid
|
| 277
|
A Mathematician's Apology
|
2,623
|
87
|
Start
|
Low
|
| 278
|
Michel Onfray
|
2,622
|
87
|
C
|
Low
|
| 279
|
Representation (arts)
|
2,598
|
86
|
B
|
Mid
|
| 280
|
Weimar Classicism
|
2,579
|
85
|
Start
|
Low
|
| 281
|
Michael Tanner
|
2,575
|
85
|
Stub
|
Low
|
| 282
|
Épater la bourgeoisie
|
2,565
|
85
|
Stub
|
Low
|
| 283
|
Definition of music
|
2,562
|
85
|
Start
|
Low
|
| 284
|
José Vasconcelos
|
2,553
|
85
|
C
|
Mid
|
| 285
|
Stanley Cavell
|
2,501
|
83
|
C
|
Mid
|
| 286
|
Metaphysical painting
|
2,471
|
82
|
Start
|
Low
|
| 287
|
Aesthetic taste
|
2,437
|
81
|
Start
|
High
|
| 288
|
Paul Virilio
|
2,418
|
80
|
C
|
Mid
|
| 289
|
Art criticism
|
2,390
|
79
|
B
|
Mid
|
| 290
|
Conceptualism
|
2,385
|
79
|
C
|
Low
|
| 291
|
Feminist film theory
|
2,381
|
79
|
C
|
Low
|
| 292
|
Formalism (philosophy)
|
2,381
|
79
|
Start
|
Low
|
| 293
|
Thomas Reid
|
2,371
|
79
|
C
|
Mid
|
| 294
|
Grotesque body
|
2,347
|
78
|
Start
|
Low
|
| 295
|
Camera Lucida (book)
|
2,345
|
78
|
Start
|
Low
|
| 296
|
Anatomy of Criticism
|
2,310
|
77
|
Start
|
Mid
|
| 297
|
Elegance
|
2,307
|
76
|
C
|
Low
|
| 298
|
Erwin Panofsky
|
2,298
|
76
|
C
|
Mid
|
| 299
|
Classic
|
2,297
|
76
|
Start
|
Low
|
| 300
|
Mimesis: The Representation of Reality in Western Literature
|
2,268
|
75
|
C
|
Low
|
| 301
|
Arthur Danto
|
2,252
|
75
|
Start
|
Mid
|
| 302
|
Proletkult
|
2,251
|
75
|
B
|
Low
|
| 303
|
Poshlost
|
2,251
|
75
|
Start
|
Low
|
| 304
|
Aesthetic Realism
|
2,237
|
74
|
C
|
Mid
|
| 305
|
Paul Rée
|
2,230
|
74
|
Start
|
Low
|
| 306
|
John Hospers
|
2,220
|
74
|
C
|
Low
|
| 307
|
Neuroesthetics
|
2,191
|
73
|
Start
|
Mid
|
| 308
|
Mingei
|
2,186
|
72
|
C
|
Low
|
| 309
|
Ecstasy (philosophy)
|
2,180
|
72
|
Stub
|
Low
|
| 310
|
Hamid Dabashi
|
2,169
|
72
|
B
|
Low
|
| 311
|
Literary reception of The Lord of the Rings
|
2,160
|
72
|
GA
|
Low
|
| 312
|
High modernism
|
2,131
|
71
|
C
|
Low
|
| 313
|
Classificatory disputes about art
|
2,106
|
70
|
Start
|
High
|
| 314
|
Luminism (American art style)
|
2,097
|
69
|
Start
|
Low
|
| 315
|
August Wilhelm Schlegel
|
2,095
|
69
|
C
|
Mid
|
| 316
|
Purism
|
2,075
|
69
|
Stub
|
Low
|
| 317
|
Artistic inspiration
|
2,066
|
68
|
C
|
Mid
|
| 318
|
Art as Experience
|
2,055
|
68
|
Start
|
Mid
|
| 319
|
Hierarchy of genres
|
2,046
|
68
|
Start
|
Low
|
| 320
|
Feminist art
|
2,041
|
68
|
Start
|
Low
|
| 321
|
Directoire style
|
1,970
|
65
|
Start
|
Low
|
| 322
|
Post-romanticism
|
1,966
|
65
|
Start
|
Low
|
| 323
|
Anthony Ashley-Cooper, 3rd Earl of Shaftesbury
|
1,943
|
64
|
B
|
Mid
|
| 324
|
Indian aesthetics
|
1,922
|
64
|
Start
|
Low
|
| 325
|
Francis Hutcheson (philosopher)
|
1,914
|
63
|
C
|
Mid
|
| 326
|
Process art
|
1,903
|
63
|
Start
|
Low
|
| 327
|
Neo-Futurists
|
1,890
|
63
|
Start
|
Low
|
| 328
|
Vissarion Belinsky
|
1,875
|
62
|
Start
|
Low
|
| 329
|
Pierre Bayle
|
1,861
|
62
|
C
|
Mid
|
| 330
|
What Is Art?
|
1,856
|
61
|
C
|
Low
|
| 331
|
Mathematics and architecture
|
1,849
|
61
|
GA
|
Mid
|
| 332
|
Importance
|
1,841
|
61
|
B
|
Mid
|
| 333
|
Lettrism
|
1,832
|
61
|
C
|
Low
|
| 334
|
Artistic freedom
|
1,812
|
60
|
B
|
Low
|
| 335
|
History of aesthetics
|
1,808
|
60
|
C
|
High
|
| 336
|
Joseph Kosuth
|
1,775
|
59
|
Start
|
Low
|
| 337
|
Harmonices Mundi
|
1,771
|
59
|
Start
|
Low
|
| 338
|
Zeami Motokiyo
|
1,765
|
58
|
C
|
Mid
|
| 339
|
Russian symbolism
|
1,755
|
58
|
C
|
Mid
|
| 340
|
Sully Prudhomme
|
1,740
|
58
|
Start
|
Low
|
| 341
|
Nelson Goodman
|
1,731
|
57
|
Start
|
Mid
|
| 342
|
The Story of Art
|
1,730
|
57
|
Stub
|
Mid
|
| 343
|
The Origin of the Work of Art
|
1,713
|
57
|
C
|
Mid
|
| 344
|
Art manifesto
|
1,711
|
57
|
C
|
Mid
|
| 345
|
Susanne Langer
|
1,709
|
56
|
C
|
Mid
|
| 346
|
Johann Friedrich Herbart
|
1,688
|
56
|
C
|
Mid
|
| 347
|
Sound poetry
|
1,683
|
56
|
Start
|
Low
|
| 348
|
Neomodern
|
1,659
|
55
|
Start
|
Low
|
| 349
|
Cellar door (phrase)
|
1,649
|
54
|
Redirect
|
NA
|
| 350
|
The Dialogic Imagination
|
1,649
|
54
|
C
|
Low
|
| 351
|
Alexander Gottlieb Baumgarten
|
1,636
|
54
|
Start
|
Mid
|
| 352
|
Imagination age
|
1,627
|
54
|
C
|
Low
|
| 353
|
Anandavardhana
|
1,553
|
51
|
Start
|
Low
|
| 354
|
Panic Movement
|
1,550
|
51
|
Stub
|
Low
|
| 355
|
Sophistication
|
1,550
|
51
|
Start
|
Low
|
| 356
|
Chinese musicology
|
1,535
|
51
|
B
|
Low
|
| 357
|
Rudolf Arnheim
|
1,532
|
51
|
B
|
Low
|
| 358
|
Romantic realism
|
1,512
|
50
|
C
|
Low
|
| 359
|
The Literature of Exhaustion
|
1,512
|
50
|
Stub
|
Low
|
| 360
|
Punk visual art
|
1,499
|
49
|
Start
|
Low
|
| 361
|
The New Criterion
|
1,460
|
48
|
Start
|
Low
|
| 362
|
Crystal Cubism
|
1,435
|
47
|
B
|
Low
|
| 363
|
John Maeda
|
1,432
|
47
|
Start
|
Low
|
| 364
|
Practical philosophy
|
1,431
|
47
|
Stub
|
Low
|
| 365
|
Late modernism
|
1,407
|
46
|
B
|
Low
|
| 366
|
Notability
|
1,400
|
46
|
Start
|
Mid
|
| 367
|
Painterliness
|
1,387
|
46
|
Start
|
Low
|
| 368
|
John Silber
|
1,381
|
46
|
Start
|
Low
|
| 369
|
Kitsch movement
|
1,378
|
45
|
Start
|
Low
|
| 370
|
Psychology of art
|
1,377
|
45
|
Start
|
Low
|
| 371
|
Motoori Norinaga
|
1,375
|
45
|
Start
|
Low
|
| 372
|
Noël Carroll
|
1,356
|
45
|
Stub
|
Low
|
| 373
|
Marxist aesthetics
|
1,347
|
44
|
Stub
|
Mid
|
| 374
|
Georg Brandes
|
1,344
|
44
|
C
|
Low
|
| 375
|
Schopenhauer
|
1,332
|
44
|
Redirect
|
NA
|
| 376
|
Objectivism (Ayn Rand)
|
1,326
|
44
|
Redirect
|
NA
|
| 377
|
Philosophy of music
|
1,317
|
43
|
C
|
Mid
|
| 378
|
Aesthetics of music
|
1,310
|
43
|
Start
|
Low
|
| 379
|
Giovanni Papini
|
1,285
|
42
|
C
|
Low
|
| 380
|
Max Black
|
1,269
|
42
|
Start
|
Mid
|
| 381
|
Arthur Schopenhauer's aesthetics
|
1,257
|
41
|
C
|
Mid
|
| 382
|
Symbolism
|
1,251
|
41
|
Disambig
|
NA
|
| 383
|
Nefer
|
1,241
|
41
|
Start
|
Low
|
| 384
|
Florentine painting
|
1,230
|
41
|
C
|
Low
|
| 385
|
Richard Meltzer
|
1,227
|
40
|
Start
|
Low
|
| 386
|
Artforum
|
1,221
|
40
|
Start
|
Low
|
| 387
|
William K. Wimsatt
|
1,209
|
40
|
Start
|
Low
|
| 388
|
Michel Henry
|
1,206
|
40
|
B
|
Low
|
| 389
|
Bracha L. Ettinger
|
1,205
|
40
|
B
|
Low
|
| 390
|
Hans Pfitzner
|
1,191
|
39
|
Start
|
Low
|
| 391
|
Eduard Hanslick
|
1,190
|
39
|
Start
|
Low
|
| 392
|
Ludwig Tieck
|
1,170
|
39
|
Start
|
Low
|
| 393
|
Essentially contested concept
|
1,136
|
37
|
B
|
Low
|
| 394
|
Romanticism in philosophy
|
1,133
|
37
|
Start
|
Low
|
| 395
|
Miyabi
|
1,132
|
37
|
Start
|
Low
|
| 396
|
Authenticity in art
|
1,119
|
37
|
Start
|
Low
|
| 397
|
Dramatism
|
1,113
|
37
|
C
|
Low
|
| 398
|
Visual literacy
|
1,112
|
37
|
Start
|
Low
|
| 399
|
Early life and career of Thomas Jefferson
|
1,086
|
36
|
C
|
Low
|
| 400
|
Soviet nonconformist art
|
1,072
|
35
|
C
|
Low
|
| 401
|
Classical Realism
|
1,072
|
35
|
Start
|
Low
|
| 402
|
Auto-destructive art
|
1,068
|
35
|
Start
|
Low
|
| 403
|
Vittorio Hösle
|
1,059
|
35
|
C
|
Low
|
| 404
|
Avant-Garde and Kitsch
|
1,052
|
35
|
Start
|
Low
|
| 405
|
Visual rhetoric
|
1,047
|
34
|
B
|
Low
|
| 406
|
The Sense of Beauty
|
1,038
|
34
|
Start
|
Low
|
| 407
|
Hypermodernity
|
1,036
|
34
|
Start
|
Low
|
| 408
|
Ridiculous
|
1,031
|
34
|
Start
|
Low
|
| 409
|
Art car
|
1,023
|
34
|
Start
|
Low
|
| 410
|
Line of beauty
|
1,021
|
34
|
Stub
|
Low
|
| 411
|
Neo-pop
|
1,021
|
34
|
Stub
|
Low
|
| 412
|
Mode (literature)
|
995
|
33
|
C
|
Low
|
| 413
|
Eli Siegel
|
981
|
32
|
B
|
Mid
|
| 414
|
Nicholas Wolterstorff
|
972
|
32
|
Start
|
Low
|
| 415
|
Béla Balázs
|
962
|
32
|
Start
|
Low
|
| 416
|
Aleksandar Lilov
|
959
|
31
|
Start
|
Low
|
| 417
|
Todd McGowan
|
938
|
31
|
Start
|
Low
|
| 418
|
Funk art
|
929
|
30
|
Start
|
Low
|
| 419
|
Daniel-Henry Kahnweiler
|
913
|
30
|
Start
|
Low
|
| 420
|
Papunya Tula
|
902
|
30
|
Start
|
Low
|
| 421
|
Lectures on Aesthetics
|
894
|
29
|
Stub
|
Mid
|
| 422
|
Roman Ingarden
|
890
|
29
|
Start
|
Low
|
| 423
|
Yūsuf Balasaguni
|
889
|
29
|
Stub
|
Mid
|
| 424
|
Elaine Scarry
|
889
|
29
|
Start
|
Low
|
| 425
|
Observations on the Feeling of the Beautiful and Sublime
|
888
|
29
|
C
|
Mid
|
| 426
|
List of French artistic movements
|
864
|
28
|
List
|
Low
|
| 427
|
Cyborg art
|
858
|
28
|
Start
|
Low
|
| 428
|
Community art
|
840
|
28
|
Start
|
Low
|
| 429
|
Tetsuro Watsuji
|
839
|
27
|
Start
|
Mid
|
| 430
|
Bernard Bosanquet (philosopher)
|
833
|
27
|
C
|
Mid
|
| 431
|
Bay Area Figurative Movement
|
801
|
26
|
Start
|
Low
|
| 432
|
Paragone
|
796
|
26
|
Start
|
Low
|
| 433
|
Victor Cousin
|
794
|
26
|
B
|
Low
|
| 434
|
Denis Dutton
|
767
|
25
|
C
|
Mid
|
| 435
|
Henry Home, Lord Kames
|
762
|
25
|
C
|
Mid
|
| 436
|
Institutional Critique
|
756
|
25
|
Start
|
Low
|
| 437
|
Léonce Rosenberg
|
756
|
25
|
C
|
Low
|
| 438
|
Philosophy of design
|
748
|
24
|
Stub
|
Low
|
| 439
|
Sean Dorrance Kelly
|
745
|
24
|
Start
|
Low
|
| 440
|
Feminist art movement
|
732
|
24
|
Start
|
Low
|
| 441
|
André Leroi-Gourhan
|
724
|
24
|
Start
|
Low
|
| 442
|
Theological aesthetics
|
719
|
23
|
Start
|
Low
|
| 443
|
Hippias Major
|
718
|
23
|
C
|
Mid
|
| 444
|
October (journal)
|
710
|
23
|
Start
|
Low
|
| 445
|
Post-conceptual art
|
710
|
23
|
C
|
Low
|
| 446
|
Margaret MacDonald (philosopher)
|
710
|
23
|
C
|
Low
|
| 447
|
Hugh Kenner
|
705
|
23
|
C
|
Low
|
| 448
|
Artistic merit
|
705
|
23
|
Start
|
Mid
|
| 449
|
Heroic realism
|
700
|
23
|
Start
|
Low
|
| 450
|
Inner Experience
|
699
|
23
|
Start
|
Mid
|
| 451
|
Paradox of fiction
|
699
|
23
|
C
|
Low
|
| 452
|
Adam Müller
|
698
|
23
|
C
|
Low
|
| 453
|
Sara Danius
|
697
|
23
|
C
|
Low
|
| 454
|
Phonocentrism
|
693
|
23
|
Start
|
Low
|
| 455
|
The Critic as Artist
|
684
|
22
|
Stub
|
Low
|
| 456
|
The Analysis of Beauty
|
683
|
22
|
Start
|
Low
|
| 457
|
Humor research
|
680
|
22
|
Start
|
Mid
|
| 458
|
Ludomusicology
|
679
|
22
|
Start
|
Low
|
| 459
|
Les Automatistes
|
677
|
22
|
Stub
|
Low
|
| 460
|
Tsang Lap Chuen
|
673
|
22
|
C
|
Low
|
| 461
|
Depiction
|
672
|
22
|
C
|
Mid
|
| 462
|
Ptolemy's intense diatonic scale
|
669
|
22
|
C
|
Low
|
| 463
|
History of the concept of creativity
|
654
|
21
|
Start
|
Low
|
| 464
|
Souleymane Bachir Diagne
|
647
|
21
|
C
|
Low
|
| 465
|
Richard Wollheim
|
645
|
21
|
Start
|
Mid
|
| 466
|
Alexander Nehamas
|
637
|
21
|
Start
|
Low
|
| 467
|
Jesse Prinz
|
637
|
21
|
Stub
|
Mid
|
| 468
|
Steven Shaviro
|
636
|
21
|
Start
|
Low
|
| 469
|
Zoosemiotics
|
632
|
21
|
Start
|
Low
|
| 470
|
Aesthetic emotions
|
628
|
20
|
Start
|
High
|
| 471
|
Tim Dean
|
614
|
20
|
Start
|
Low
|
| 472
|
Theodor Lipps
|
610
|
20
|
C
|
Low
|
| 473
|
Coolhunting
|
606
|
20
|
Start
|
Low
|
| 474
|
Charles Stevenson (philosopher)
|
604
|
20
|
Start
|
Mid
|
| 475
|
Cynical realism
|
595
|
19
|
Stub
|
Low
|
| 476
|
Coleridge's theory of life
|
582
|
19
|
C
|
Low
|
| 477
|
Outline of aesthetics
|
577
|
19
|
List
|
Low
|
| 478
|
Vyacheslav Ivanov (poet)
|
566
|
18
|
C
|
Low
|
| 479
|
Jerrold Levinson
|
561
|
18
|
Start
|
Low
|
| 480
|
Unity in variety
|
558
|
18
|
C
|
Low
|
| 481
|
Aesthetic interpretation
|
553
|
18
|
Start
|
High
|
| 482
|
Medieval aesthetics
|
551
|
18
|
C
|
Low
|
| 483
|
Philosophy of film
|
549
|
18
|
Start
|
Mid
|
| 484
|
Knave of Diamonds (Russian arts association)
|
547
|
18
|
Stub
|
Low
|
| 485
|
Danube school
|
543
|
18
|
C
|
Low
|
| 486
|
Dionysian imitatio
|
542
|
18
|
Stub
|
Low
|
| 487
|
Philosophy of architecture
|
542
|
18
|
B
|
Low
|
| 488
|
György Lukács bibliography
|
538
|
17
|
List
|
Mid
|
| 489
|
Yabo
|
534
|
17
|
Stub
|
Low
|
| 490
|
List of aestheticians
|
533
|
17
|
List
|
Mid
|
| 491
|
George Dickie (philosopher)
|
531
|
17
|
Stub
|
Low
|
| 492
|
Monroe Beardsley
|
530
|
17
|
Stub
|
Low
|
| 493
|
Artistic integrity
|
529
|
17
|
C
|
Low
|
| 494
|
Aleksei Losev
|
524
|
17
|
Start
|
Low
|
| 495
|
Shūzō Kuki
|
510
|
17
|
Start
|
Low
|
| 496
|
Pennsylvania Impressionism
|
507
|
16
|
Stub
|
Low
|
| 497
|
Medium specificity
|
505
|
16
|
Stub
|
Low
|
| 498
|
Methexis
|
502
|
16
|
Stub
|
Low
|
| 499
|
Moresque
|
497
|
16
|
Start
|
Low
|
| 500
|
Wiener Moderne
|
494
|
16
|
Start
|
Low
|
| 501
|
Francesco de Sanctis
|
488
|
16
|
Stub
|
Low
|
| 502
|
Stella Kramrisch
|
486
|
16
|
C
|
Low
|
| 503
|
Władysław Tatarkiewicz
|
482
|
16
|
Start
|
Low
|
| 504
|
Hypermodernism (art)
|
480
|
16
|
Start
|
Low
|
| 505
|
Kendall Walton
|
478
|
15
|
C
|
Low
|
| 506
|
The Romantic Manifesto
|
470
|
15
|
C
|
Low
|
| 507
|
Hypergraphy
|
469
|
15
|
C
|
Low
|
| 508
|
The Differend
|
469
|
15
|
Stub
|
Low
|
| 509
|
Neo-conceptual art
|
462
|
15
|
C
|
Low
|
| 510
|
Unitary urbanism
|
461
|
15
|
Start
|
Low
|
| 511
|
Paul Mattick Jr.
|
457
|
15
|
Stub
|
Low
|
| 512
|
Systematic musicology
|
452
|
15
|
Start
|
Low
|
| 513
|
Paul Guyer
|
451
|
15
|
Stub
|
Low
|
| 514
|
New musicology
|
449
|
14
|
Start
|
Low
|
| 515
|
Feminist art movement in the United States
|
448
|
14
|
Start
|
Low
|
| 516
|
Magnificence (history of ideas)
|
445
|
14
|
Start
|
Low
|
| 517
|
Richard Shusterman
|
443
|
14
|
B
|
Low
|
| 518
|
Matthew Lipman
|
440
|
14
|
Stub
|
Low
|
| 519
|
Applied aesthetics
|
437
|
14
|
Start
|
Mid
|
| 520
|
History of hermeneutics
|
434
|
14
|
Start
|
Low
|
| 521
|
Carl Dahlhaus
|
430
|
14
|
B
|
Low
|
| 522
|
Vladimir Odoyevsky
|
419
|
13
|
Start
|
Low
|
| 523
|
Irrealism (philosophy)
|
410
|
13
|
Start
|
Mid
|
| 524
|
Four Dissertations
|
409
|
13
|
Stub
|
Low
|
| 525
|
Dieter Henrich
|
406
|
13
|
Start
|
Mid
|
| 526
|
Figuration Libre
|
402
|
13
|
Stub
|
Low
|
| 527
|
The Longing for Less
|
394
|
13
|
Stub
|
Low
|
| 528
|
Liu Xiaofeng (academic)
|
388
|
12
|
Start
|
Low
|
| 529
|
Ancient aesthetics
|
388
|
12
|
Start
|
Low
|
| 530
|
Utamakura
|
386
|
12
|
Start
|
Mid
|
| 531
|
Romanticism in Scotland
|
379
|
12
|
GA
|
Low
|
| 532
|
Epic and Novel
|
378
|
12
|
Start
|
Low
|
| 533
|
Du "Cubisme"
|
378
|
12
|
B
|
Low
|
| 534
|
Imitation (art)
|
376
|
12
|
Stub
|
Low
|
| 535
|
John Anderson (philosopher)
|
375
|
12
|
C
|
Low
|
| 536
|
Morris Weitz
|
374
|
12
|
C
|
Mid
|
| 537
|
Karl Rosenkranz
|
373
|
12
|
Start
|
Low
|
| 538
|
Arts criticism
|
370
|
12
|
Stub
|
Mid
|
| 539
|
Daniel Kolak
|
368
|
12
|
Start
|
Low
|
| 540
|
Linguistic film theory
|
365
|
12
|
Stub
|
Low
|
| 541
|
Brian Boyd
|
364
|
12
|
Start
|
Low
|
| 542
|
Albert Caraco
|
360
|
12
|
Start
|
Low
|
| 543
|
African aesthetic
|
355
|
11
|
Start
|
Mid
|
| 544
|
Digital sublime
|
352
|
11
|
Start
|
Low
|
| 545
|
Wilhelm Heinrich Wackenroder
|
351
|
11
|
Start
|
Low
|
| 546
|
Jean Grenier
|
350
|
11
|
Stub
|
Low
|
| 547
|
Wolfgang Fritz Haug
|
348
|
11
|
Start
|
Low
|
| 548
|
Street poster art
|
343
|
11
|
Start
|
Low
|
| 549
|
Carlin Romano
|
343
|
11
|
Start
|
Low
|
| 550
|
Tom Cohen
|
343
|
11
|
Stub
|
Low
|
| 551
|
Languages of Art
|
342
|
11
|
Stub
|
Low
|
| 552
|
Birmingham Set
|
342
|
11
|
Start
|
Low
|
| 553
|
Medium essentialism
|
342
|
11
|
B
|
Low
|
| 554
|
Aesthetics of nature
|
339
|
11
|
Start
|
Low
|
| 555
|
Absurd
|
337
|
11
|
Disambig
|
NA
|
| 556
|
Iain Thomson
|
337
|
11
|
Stub
|
Low
|
| 557
|
Natural design
|
335
|
11
|
Stub
|
Low
|
| 558
|
The Oldest Systematic Program of German Idealism
|
333
|
11
|
Stub
|
Low
|
| 559
|
Aesthetics of science
|
328
|
10
|
Stub
|
Low
|
| 560
|
Abstract illusionism
|
326
|
10
|
Stub
|
Low
|
| 561
|
Levels of adequacy
|
321
|
10
|
Start
|
Low
|
| 562
|
Formal balance
|
319
|
10
|
Stub
|
Low
|
| 563
|
Timeline of German idealism
|
319
|
10
|
Stub
|
Low
|
| 564
|
Joseph Margolis
|
316
|
10
|
C
|
Low
|
| 565
|
Moscow Conceptualists
|
314
|
10
|
Stub
|
Low
|
| 566
|
Jan Mukařovský
|
308
|
10
|
Start
|
Low
|
| 567
|
Fernando González (writer)
|
305
|
10
|
C
|
Low
|
| 568
|
Lydia Goehr
|
303
|
10
|
Start
|
Low
|
| 569
|
The Literary Mind and the Carving of Dragons
|
298
|
9
|
Start
|
Mid
|
| 570
|
Northwest School (art)
|
293
|
9
|
C
|
Low
|
| 571
|
Beuron Art School
|
292
|
9
|
Start
|
Low
|
| 572
|
Johannes Volkelt
|
289
|
9
|
Stub
|
Low
|
| 573
|
Robert Vischer
|
285
|
9
|
Stub
|
Low
|
| 574
|
Imagines (work by Philostratus)
|
284
|
9
|
Stub
|
Low
|
| 575
|
Li Zehou
|
284
|
9
|
Start
|
Low
|
| 576
|
Taruho Inagaki
|
280
|
9
|
Stub
|
Low
|
| 577
|
Henri Focillon
|
280
|
9
|
Stub
|
Low
|
| 578
|
Max Bense
|
280
|
9
|
Start
|
Low
|
| 579
|
Metarealism
|
279
|
9
|
Start
|
Low
|
| 580
|
Michael J. Shapiro
|
279
|
9
|
Start
|
Low
|
| 581
|
Roger de Piles
|
277
|
9
|
Start
|
Low
|
| 582
|
Peter Kivy
|
276
|
9
|
Stub
|
Low
|
| 583
|
Processing fluency theory of aesthetic pleasure
|
275
|
9
|
Start
|
Low
|
| 584
|
Friedrich Theodor Vischer
|
272
|
9
|
Start
|
Low
|
| 585
|
Jerry Farber
|
272
|
9
|
Start
|
Low
|
| 586
|
Irrealism (the arts)
|
270
|
9
|
Start
|
Low
|
| 587
|
Psychic distance
|
268
|
8
|
Start
|
Mid
|
| 588
|
Artistic revolution
|
263
|
8
|
Start
|
Low
|
| 589
|
Antwerp school
|
262
|
8
|
Start
|
Low
|
| 590
|
Panait Cerna
|
260
|
8
|
GA
|
Low
|
| 591
|
Mario Perniola
|
258
|
8
|
C
|
Low
|
| 592
|
Truth claim (photography)
|
254
|
8
|
Start
|
Low
|
| 593
|
Aesthetic relativism
|
253
|
8
|
Stub
|
High
|
| 594
|
Essays, Moral, Political, and Literary
|
253
|
8
|
Stub
|
Low
|
| 595
|
The Cubist Painters, Aesthetic Meditations
|
246
|
8
|
B
|
Low
|
| 596
|
Acharya Vamana
|
245
|
8
|
Stub
|
Low
|
| 597
|
Cultural depictions of Thomas Jefferson
|
245
|
8
|
Start
|
Low
|
| 598
|
Nikolas Kompridis
|
243
|
8
|
C
|
Low
|
| 599
|
Mikhail Lifshitz
|
242
|
8
|
C
|
Low
|
| 600
|
Feminist aesthetics
|
242
|
8
|
C
|
Low
|
| 601
|
Theodor W. Adorno bibliography
|
239
|
7
|
List
|
Mid
|
| 602
|
Yuriko Saito
|
238
|
7
|
Start
|
Low
|
| 603
|
Stephen Mumford
|
236
|
7
|
C
|
Low
|
| 604
|
Max Dessoir
|
230
|
7
|
Stub
|
Low
|
| 605
|
Superfiction
|
230
|
7
|
Start
|
Low
|
| 606
|
Charles Batteux
|
229
|
7
|
Start
|
Low
|
| 607
|
Andrew Bowie (philosopher)
|
227
|
7
|
Start
|
Low
|
| 608
|
Claire Colebrook
|
227
|
7
|
Start
|
Mid
|
| 609
|
François Zourabichvili
|
226
|
7
|
Start
|
Low
|
| 610
|
Poet as legislator
|
225
|
7
|
Start
|
Low
|
| 611
|
Edmund Gurney
|
224
|
7
|
Start
|
Low
|
| 612
|
Peter Lamarque
|
222
|
7
|
Start
|
Low
|
| 613
|
Tudor Vianu
|
218
|
7
|
Start
|
Low
|
| 614
|
Luigi Pareyson
|
217
|
7
|
Stub
|
Low
|
| 615
|
Elegant
|
216
|
7
|
Redirect
|
NA
|
| 616
|
Stephen Pepper
|
216
|
7
|
Start
|
Mid
|
| 617
|
Rotation method
|
216
|
7
|
Stub
|
Low
|
| 618
|
Thierry de Duve
|
215
|
7
|
Stub
|
Low
|
| 619
|
Liu Xie
|
214
|
7
|
Stub
|
Low
|
| 620
|
Neo-primitivism
|
214
|
7
|
Redirect
|
NA
|
| 621
|
La Maison Cubiste
|
214
|
7
|
B
|
Low
|
| 622
|
Philosophy in a New Key
|
209
|
6
|
Stub
|
Low
|
| 623
|
Emanuele Tesauro
|
207
|
6
|
B
|
Low
|
| 624
|
Stephen Davies (philosopher)
|
205
|
6
|
Start
|
Low
|
| 625
|
Gernot Böhme
|
205
|
6
|
Stub
|
Low
|
| 626
|
Art theory
|
204
|
6
|
Redirect
|
NA
|
| 627
|
Paul Crowther
|
202
|
6
|
Start
|
Low
|
| 628
|
Frank Sibley (philosopher)
|
200
|
6
|
Start
|
Low
|
| 629
|
Roger North (biographer)
|
199
|
6
|
Start
|
Low
|
| 630
|
Stroganov school
|
199
|
6
|
Stub
|
Low
|
| 631
|
Albrecht Wellmer
|
199
|
6
|
Start
|
Low
|
| 632
|
Ásta Kristjana Sveinsdóttir
|
197
|
6
|
Stub
|
Low
|
| 633
|
Edward Bullough
|
189
|
6
|
C
|
Mid
|
| 634
|
Karl Wilhelm Ferdinand Solger
|
186
|
6
|
Start
|
Low
|
| 635
|
Marshall McLuhan bibliography
|
180
|
6
|
List
|
Low
|
| 636
|
Black Artists Group
|
178
|
5
|
Stub
|
Low
|
| 637
|
Akira Asada
|
175
|
5
|
Stub
|
Low
|
| 638
|
Hubert Damisch
|
175
|
5
|
Stub
|
Low
|
| 639
|
New York Figurative Expressionism
|
174
|
5
|
Start
|
Low
|
| 640
|
Christine Buci-Glucksmann
|
174
|
5
|
Start
|
Low
|
| 641
|
Art and morality
|
173
|
5
|
Start
|
Mid
|
| 642
|
Elisabeth Camp
|
172
|
5
|
C
|
Low
|
| 643
|
Gregory Currie
|
171
|
5
|
Start
|
Low
|
| 644
|
Tomonobu Imamichi
|
169
|
5
|
Start
|
Low
|
| 645
|
Social information processing
|
169
|
5
|
Stub
|
Low
|
| 646
|
Metabasis paradox
|
169
|
5
|
C
|
Low
|
| 647
|
David Carrier
|
168
|
5
|
Start
|
Low
|
| 648
|
Peter Trawny
|
166
|
5
|
Start
|
Low
|
| 649
|
Decadentism
|
164
|
5
|
Redirect
|
Low
|
| 650
|
Colin Radford
|
162
|
5
|
Stub
|
Low
|
| 651
|
Critical Essays (Orwell)
|
159
|
5
|
Start
|
Low
|
| 652
|
Peter Goldie
|
158
|
5
|
Stub
|
Low
|
| 653
|
Ontopoetics
|
156
|
5
|
C
|
Low
|
| 654
|
Douglas Moggach
|
155
|
5
|
C
|
Low
|
| 655
|
Index of aesthetics articles
|
150
|
5
|
List
|
High
|
| 656
|
David Prall
|
149
|
4
|
Start
|
Low
|
| 657
|
Albert (short story)
|
147
|
4
|
Stub
|
Low
|
| 658
|
Georg Friedrich Meier
|
144
|
4
|
Stub
|
Low
|
| 659
|
John Rajchman
|
143
|
4
|
Stub
|
Low
|
| 660
|
The Journal of Aesthetics and Art Criticism
|
143
|
4
|
Stub
|
Low
|
| 661
|
Spanish Eclecticism
|
140
|
4
|
Start
|
Low
|
| 662
|
Adolfo Sánchez Vázquez
|
139
|
4
|
Stub
|
Low
|
| 663
|
Ivan Sviták
|
139
|
4
|
Start
|
Low
|
| 664
|
Daya Krishna
|
138
|
4
|
Stub
|
Low
|
| 665
|
Biographical fallacy
|
137
|
4
|
Start
|
Low
|
| 666
|
Bill Martin (philosopher)
|
136
|
4
|
Stub
|
Low
|
| 667
|
Lectures and Conversations on Aesthetics, Psychology, and Religious Belief
|
135
|
4
|
Stub
|
Low
|
| 668
|
Musical historicism
|
134
|
4
|
Start
|
Low
|
| 669
|
Female epic
|
134
|
4
|
Start
|
Low
|
| 670
|
Dadaglobe
|
134
|
4
|
B
|
Low
|
| 671
|
Thorsten Botz-Bornstein
|
128
|
4
|
Stub
|
Low
|
| 672
|
Lessons on the Analytic of the Sublime
|
128
|
4
|
Stub
|
Mid
|
| 673
|
Curt John Ducasse
|
127
|
4
|
Stub
|
Low
|
| 674
|
Karl Ameriks
|
127
|
4
|
Stub
|
Low
|
| 675
|
Louis Mink
|
124
|
4
|
Start
|
Low
|
| 676
|
Jody Azzouni
|
120
|
4
|
Stub
|
Low
|
| 677
|
Ronald Paulson
|
119
|
3
|
Start
|
Low
|
| 678
|
Rodolphe Gasché
|
119
|
3
|
Start
|
Low
|
| 679
|
The Range of Reason
|
119
|
3
|
Stub
|
Mid
|
| 680
|
Nadežda Čačinovič
|
119
|
3
|
Start
|
Low
|
| 681
|
Valentin Feldman
|
118
|
3
|
Start
|
Low
|
| 682
|
Heinrich Gustav Hotho
|
117
|
3
|
Stub
|
Low
|
| 683
|
Philip Wheelwright
|
117
|
3
|
Start
|
Low
|
| 684
|
François Hemsterhuis
|
116
|
3
|
Start
|
Low
|
| 685
|
Antonio Caso Andrade
|
116
|
3
|
Start
|
Mid
|
| 686
|
Fabienne Brugère
|
116
|
3
|
C
|
Low
|
| 687
|
Art and Scholasticism
|
115
|
3
|
Stub
|
Low
|
| 688
|
List of art critics
|
113
|
3
|
List
|
Low
|
| 689
|
Jeremy J. Shapiro
|
112
|
3
|
Start
|
Low
|
| 690
|
Suspense fiction
|
112
|
3
|
Redirect
|
Low
|
| 691
|
Margret Grebowicz
|
112
|
3
|
Start
|
Low
|
| 692
|
Christopher Janaway
|
111
|
3
|
Stub
|
Low
|
| 693
|
Art Deco in Durban
|
111
|
3
|
Start
|
Low
|
| 694
|
Nkiru Nzegwu
|
110
|
3
|
Stub
|
Low
|
| 695
|
Georg Anton Friedrich Ast
|
109
|
3
|
Start
|
Low
|
| 696
|
On the Aesthetic Education of Man
|
109
|
3
|
Redirect
|
Low
|
| 697
|
Solomiia Pavlychko
|
108
|
3
|
Start
|
Low
|
| 698
|
Geoffrey Galt Harpham
|
108
|
3
|
Stub
|
Low
|
| 699
|
Abstract Imagists
|
107
|
3
|
Start
|
Low
|
| 700
|
Calvin Seerveld
|
106
|
3
|
Start
|
Low
|
| 701
|
Stupid (art movement)
|
106
|
3
|
Stub
|
Low
|
| 702
|
Richard Eldridge
|
106
|
3
|
Stub
|
Low
|
| 703
|
Déprimisme
|
105
|
3
|
Stub
|
Low
|
| 704
|
Virgil Aldrich
|
104
|
3
|
Start
|
Low
|
| 705
|
Les Plasticiens
|
104
|
3
|
Start
|
Low
|
| 706
|
James Tartaglia
|
104
|
3
|
Start
|
Low
|
| 707
|
What is a Masterpiece?
|
102
|
3
|
Start
|
Low
|
| 708
|
Adversarial Design
|
101
|
3
|
Start
|
Low
|
| 709
|
The Papers of Thomas Jefferson
|
100
|
3
|
Start
|
Low
|
| 710
|
Visual ethics
|
99
|
3
|
Start
|
Low
|
| 711
|
Theodor Mundt
|
97
|
3
|
Start
|
Low
|
| 712
|
Julius von Kirchmann
|
96
|
3
|
Stub
|
Low
|
| 713
|
Elisabeth Schellekens
|
94
|
3
|
Stub
|
Low
|
| 714
|
Anna Tumarkin
|
94
|
3
|
B
|
Low
|
| 715
|
Literary merit
|
93
|
3
|
Redirect
|
Mid
|
| 716
|
Vasily Seseman
|
92
|
3
|
Start
|
Low
|
| 717
|
Albert Hofstadter
|
91
|
3
|
Start
|
Low
|
| 718
|
Peter Serracino Inglott
|
90
|
3
|
Start
|
Low
|
| 719
|
Herbert Morris (philosopher)
|
90
|
3
|
Stub
|
Low
|
| 720
|
Aesthetic of Ugliness
|
89
|
2
|
Stub
|
Low
|
| 721
|
Dual-character concept
|
89
|
2
|
Stub
|
Low
|
| 722
|
Metaphysical aesthetics
|
88
|
2
|
C
|
Low
|
| 723
|
Karl Wilhelm Ramler
|
87
|
2
|
Stub
|
Low
|
| 724
|
Institutional theory of art
|
86
|
2
|
Redirect
|
NA
|
| 725
|
Isaac Passy
|
85
|
2
|
Stub
|
Low
|
| 726
|
Al-Bu'd al-Wahad
|
84
|
2
|
C
|
Low
|
| 727
|
Philosophy and Literature
|
81
|
2
|
Stub
|
Low
|
| 728
|
American Society for Aesthetics
|
81
|
2
|
Stub
|
Low
|
| 729
|
Ivan Soll
|
80
|
2
|
C
|
Low
|
| 730
|
Giovanna Borradori
|
78
|
2
|
Stub
|
Low
|
| 731
|
Predrag Finci
|
78
|
2
|
Stub
|
Low
|
| 732
|
Alexander Gerard
|
77
|
2
|
Start
|
Low
|
| 733
|
Modular constructivism
|
77
|
2
|
Start
|
Low
|
| 734
|
Antanas Andrijauskas
|
77
|
2
|
Start
|
Low
|
| 735
|
On Grace and Dignity
|
77
|
2
|
Stub
|
Low
|
| 736
|
Volker Gerhardt
|
77
|
2
|
Stub
|
Low
|
| 737
|
Emily Brady
|
77
|
2
|
Stub
|
Low
|
| 738
|
Valentin Asmus (philosopher)
|
76
|
2
|
Start
|
Low
|
| 739
|
Lev Kreft
|
76
|
2
|
Stub
|
Low
|
| 740
|
Rapture (aesthetics)
|
76
|
2
|
C
|
Low
|
| 741
|
Melvin Rader
|
74
|
2
|
C
|
Low
|
| 742
|
Larry Shiner
|
74
|
2
|
Stub
|
Low
|
| 743
|
Aesthetic absolutism
|
72
|
2
|
Start
|
High
|
| 744
|
Arnór Hannibalsson
|
71
|
2
|
Stub
|
Low
|
| 745
|
Journal of Philosophy of Education
|
71
|
2
|
Stub
|
Low
|
| 746
|
Michael Sprinker
|
69
|
2
|
Stub
|
Low
|
| 747
|
Bernhard Alexander
|
69
|
2
|
Start
|
Low
|
| 748
|
James Creed Meredith
|
68
|
2
|
Start
|
Low
|
| 749
|
Jacqueline Lichtenstein
|
68
|
2
|
Start
|
Low
|
| 750
|
George Lansing Raymond
|
66
|
2
|
Start
|
Low
|
| 751
|
Cultura (journal)
|
66
|
2
|
Stub
|
Low
|
| 752
|
Dewitt H. Parker
|
65
|
2
|
Stub
|
Low
|
| 753
|
Curtis L. Carter
|
65
|
2
|
Stub
|
Low
|
| 754
|
Gloria Feman Orenstein
|
65
|
2
|
C
|
Low
|
| 755
|
Alejandro Deustua
|
64
|
2
|
Stub
|
Low
|
| 756
|
Timothy Binkley
|
64
|
2
|
Stub
|
Low
|
| 757
|
Federico Ferrari
|
64
|
2
|
Start
|
Low
|
| 758
|
Attractiveness
|
63
|
2
|
Redirect
|
NA
|
| 759
|
British Society of Aesthetics
|
63
|
2
|
Stub
|
Low
|
| 760
|
Julius Moravcsik
|
63
|
2
|
Start
|
Low
|
| 761
|
D. I. Suchianu
|
61
|
2
|
B
|
Low
|
| 762
|
Rachel Zuckert
|
61
|
2
|
Stub
|
Low
|
| 763
|
Rachida Triki
|
60
|
2
|
Start
|
Low
|
| 764
|
Josefina Ayerza
|
58
|
1
|
Stub
|
Low
|
| 765
|
Martin Foss
|
58
|
1
|
C
|
Low
|
| 766
|
Hermann Theodor Hettner
|
57
|
1
|
B
|
Low
|
| 767
|
Inconnu Independent Art Group
|
57
|
1
|
Stub
|
Low
|
| 768
|
Leonid Stolovich
|
57
|
1
|
Start
|
Low
|
| 769
|
Communication aesthetics
|
57
|
1
|
Start
|
Low
|
| 770
|
British Journal of Aesthetics
|
57
|
1
|
Stub
|
Low
|
| 771
|
Robert Hopkins (philosopher)
|
57
|
1
|
Stub
|
Low
|
| 772
|
Thomas Munro (art historian)
|
56
|
1
|
Start
|
Mid
|
| 773
|
José María Valverde
|
56
|
1
|
C
|
Low
|
| 774
|
Yiannis Psychopedis
|
55
|
1
|
Stub
|
Low
|
| 775
|
Rocío Orsi
|
55
|
1
|
Start
|
Low
|
| 776
|
Masakazu Nakai
|
53
|
1
|
Stub
|
Low
|
| 777
|
Michael Krausz
|
53
|
1
|
Start
|
Low
|
| 778
|
Ewa Ziarek
|
53
|
1
|
Start
|
Low
|
| 779
|
James M. Edie
|
52
|
1
|
Start
|
Low
|
| 780
|
Ticio Escobar
|
52
|
1
|
C
|
Low
|
| 781
|
Catherine Perret
|
50
|
1
|
Stub
|
Low
|
| 782
|
Encyclopedia of Aesthetics
|
49
|
1
|
Start
|
Low
|
| 783
|
Cynthia Nielsen
|
48
|
1
|
C
|
Low
|
| 784
|
Eddy Zemach
|
47
|
1
|
Stub
|
Low
|
| 785
|
Caroline Joan S. Picart
|
47
|
1
|
C
|
Low
|
| 786
|
Nelson Thomas Potter Jr.
|
47
|
1
|
Start
|
Low
|
| 787
|
Helen Knight
|
47
|
1
|
Start
|
Low
|
| 788
|
Viktor Bychkov (philosopher)
|
47
|
1
|
C
|
Low
|
| 789
|
Arto Haapala
|
46
|
1
|
Stub
|
Low
|
| 790
|
Carmel Berkson
|
46
|
1
|
Stub
|
Low
|
| 791
|
List of culturally linked qualities of music
|
45
|
1
|
List
|
Low
|
| 792
|
Stephen David Ross
|
43
|
1
|
Stub
|
Low
|
| 793
|
Peter Lunenfeld
|
40
|
1
|
Start
|
Low
|
| 794
|
Kunstreligion
|
40
|
1
|
Stub
|
Low
|
| 795
|
Littoral art
|
40
|
1
|
Stub
|
Low
|
| 796
|
Heinrich Lützeler
|
40
|
1
|
Start
|
Low
|
| 797
|
Yacouba Konaté
|
40
|
1
|
Start
|
Low
|
| 798
|
Ruth L. Saw
|
40
|
1
|
Start
|
Low
|
| 799
|
Dumitru D. Roșca
|
38
|
1
|
Stub
|
Low
|
| 800
|
Charles Lalo
|
38
|
1
|
Stub
|
Low
|
| 801
|
Aloys Hirt
|
37
|
1
|
Start
|
Low
|
| 802
|
Léon Dumont
|
37
|
1
|
Start
|
Low
|
| 803
|
Maximilian Balzan
|
37
|
1
|
Stub
|
Low
|
| 804
|
Marcus Steinweg
|
37
|
1
|
Stub
|
Low
|
| 805
|
RAAAF
|
37
|
1
|
Start
|
Low
|
| 806
|
John P. Anton
|
35
|
1
|
Stub
|
Low
|
| 807
|
Presentationism
|
34
|
1
|
Stub
|
Low
|
| 808
|
Józef Kremer
|
34
|
1
|
Start
|
Low
|
| 809
|
Karl Heinrich Heydenreich
|
34
|
1
|
Stub
|
Low
|
| 810
|
Art of murder
|
33
|
1
|
Disambig
|
NA
|
| 811
|
Ernst von Lasaulx
|
33
|
1
|
C
|
Low
|
| 812
|
Charles Sirato
|
33
|
1
|
Start
|
Low
|
| 813
|
John Mueller Anderson
|
32
|
1
|
Stub
|
Low
|
| 814
|
Madeleine Doran
|
31
|
1
|
Stub
|
Low
|
| 815
|
International Association of Empirical Aesthetics
|
31
|
1
|
Start
|
Low
|
| 816
|
Norbert-Bertrand Barbe
|
30
|
1
|
Start
|
Low
|
| 817
|
Aesthetic Theory: Essential Texts
|
30
|
1
|
Stub
|
Low
|
| 818
|
Eastern Group of Painters
|
29
|
0
|
Stub
|
Low
|
| 819
|
Laurent Gervereau
|
29
|
0
|
Start
|
Low
|
| 820
|
Janet McCracken
|
28
|
0
|
Stub
|
Low
|
| 821
|
Zinaida Ignatyeva
|
27
|
0
|
Stub
|
Low
|
| 822
|
Jill Marsden (scholar)
|
26
|
0
|
Stub
|
Low
|
| 823
|
Max Loreau
|
26
|
0
|
Start
|
Low
|
| 824
|
Archestratus (music theorist)
|
25
|
0
|
Start
|
Low
|
| 825
|
Carl Günther Ludovici
|
25
|
0
|
C
|
Low
|
| 826
|
Quirino Principe
|
25
|
0
|
Start
|
Low
|
| 827
|
Jovan Došenović
|
25
|
0
|
Start
|
Low
|
| 828
|
Richard Müller-Freienfels
|
25
|
0
|
Stub
|
Low
|
| 829
|
Formalesque
|
24
|
0
|
Start
|
Low
|
| 830
|
James DiGiovanna
|
24
|
0
|
Start
|
Low
|
| 831
|
Second-order simulacra
|
23
|
0
|
Redirect
|
Low
|
| 832
|
Warren Shibles
|
23
|
0
|
Stub
|
Low
|
| 833
|
Tasos Zembylas
|
23
|
0
|
Stub
|
Low
|
| 834
|
Versatilist manifesto
|
22
|
0
|
Start
|
Low
|
| 835
|
Theodor Wilhelm Danzel
|
22
|
0
|
Stub
|
Low
|
| 836
|
Lonergan Institute
|
21
|
0
|
Stub
|
Low
|
| 837
|
Galen Johnson
|
21
|
0
|
Stub
|
Low
|
| 838
|
Stephen H. Watson
|
21
|
0
|
Stub
|
Low
|
| 839
|
Wilhelm Fridolin Volkmann
|
20
|
0
|
Stub
|
Low
|
| 840
|
International Society for Philosophy of Music Education
|
19
|
0
|
Stub
|
Low
|
| 841
|
Jean Poirier (ethnologist)
|
19
|
0
|
Start
|
Low
|
| 842
|
Ömer Naci Soykan
|
18
|
0
|
Start
|
Low
|
| 843
|
Jerry Balmuth
|
18
|
0
|
Start
|
Low
|
| 844
|
Rafaël Pividal
|
18
|
0
|
Start
|
Low
|
| 845
|
Luis Oyarzún Peña
|
18
|
0
|
Start
|
Low
|
| 846
|
Rupert Lodge
|
17
|
0
|
Stub
|
Low
|
| 847
|
Giuseppe Di Giacomo
|
17
|
0
|
Start
|
Low
|
| 848
|
Concepts in aesthetics
|
17
|
0
|
Redirect
|
NA
|
| 849
|
Menachem Brinker
|
17
|
0
|
Start
|
Low
|
| 850
|
Milan Damnjanović (philosopher)
|
16
|
0
|
Stub
|
Low
|
| 851
|
Joseph Hillebrand
|
16
|
0
|
Stub
|
Low
|
| 852
|
Rainer Rochlitz
|
16
|
0
|
Stub
|
Low
|
| 853
|
Michel Guiomar
|
16
|
0
|
Stub
|
Low
|
| 854
|
Daniel O. Nathan
|
15
|
0
|
Stub
|
Low
|
| 855
|
Dato Barbakadze
|
14
|
0
|
Stub
|
Low
|
| 856
|
Géza Fodor (philosopher)
|
13
|
0
|
Stub
|
Low
|
| 857
|
Elena Topuridze
|
13
|
0
|
Start
|
Low
|
| 858
|
Ferdinand Gotthelf Hand
|
12
|
0
|
Start
|
Low
|
| 859
|
Art versus Nonart: Art out of Mind
|
12
|
0
|
Start
|
Low
|
| 860
|
Self-portraiture
|
11
|
0
|
C
|
Low
|
| 861
|
Philippe Nys
|
11
|
0
|
Start
|
Low
|
| 862
|
Georg Mehlis
|
10
|
0
|
Stub
|
Low
|
| 863
|
Mikhail Ovsyannikov
|
10
|
0
|
Stub
|
Low
|
| 864
|
Jean Soldini
|
10
|
0
|
Stub
|
Low
|
| 865
|
Contemporary Debates in Aesthetics and the Philosophy of Art
|
10
|
0
|
Stub
|
Low
|
| 866
|
Œuvre
|
9
|
0
|
Redirect
|
NA
|
| 867
|
Sottorealism
|
7
|
0
|
Start
|
Low
|
| 868
|
Interracial attraction
|
5
|
0
|
Redirect
|
Low
|
| 869
|
Manifestations of postmodernism
|
3
|
0
|
Redirect
|
NA
|
| 870
|
Post-futurism
|
2
|
0
|
Redirect
|
Low
|
| 871
|
International Institute of Applied Aesthetics
|
2
|
0
|
Stub
|
Low
|
| 872
|
Worst sitcoms
|
2
|
0
|
Redirect
|
NA
|
| 873
|
Objectivism in Canada
|
2
|
0
|
Redirect
|
NA
|
