Portal:Poetry
Welcome to the Poetry Portal
Poetry (a term derived from the Greek word poiesis, "making"), also called verse, is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meaning. Such a literary composition is a poem and is written by a poet. Poetic devices such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm (via metre), and sound symbolism commonly convey musical or incantatory effects.
Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poem, the Epic of Gilgamesh, was written in the Sumerian language.
Early poems in the Eurasian continent evolved from folk songs such as the Chinese Shijing as well as from religious hymns (the Sanskrit Rigveda, the Zoroastrian Gathas, the Hurrian songs, and the Hebrew Psalms); or from a need to retell oral epics, as with the Egyptian Story of Sinuhe, Indian epic poetry, and the Homeric epics, the Iliad and the Odyssey. (Full article...)
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The first half of the story discusses Gilgamesh, king of Uruk, and Enkidu, a wild man created by the gods to stop him oppressing the people of Uruk. After an initial fight, Gilgamesh and Enkidu become close friends. Together, they journey to the Cedar Mountain and defeat Humbaba, its monstrous guardian. Later they kill the Bull of Heaven, which the goddess Ishtar sends to punish Gilgamesh for spurning her advances. As a punishment for these actions, the gods sentence Enkidu to death.
In the second half of the epic, Gilgamesh's distress at Enkidu's death causes him to undertake a long and perilous journey to discover the secret of eternal life. He eventually learns that "Life, which you look for, you will never find. For when the gods created man, they let death be his share, and life withheld in their own hands". However, because of his great building projects, his account of Siduri's advice, and what the immortal man Utnapishtim told him about the Great Flood, Gilgamesh's fame survived his death. His story has been translated into many languages, and in recent years has featured in works of popular fiction. (Full article...)
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Poetry WikiProject
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Akhmatova's work ranges from short lyric poems to intricately structured cycles, such as Requiem (1935–40), her tragic masterpiece about the Stalinist terror. Her style, characterised by its economy and emotional restraint, was strikingly original and distinctive to her contemporaries. The strong and clear leading female voice struck a new chord in Russian poetry. Her writing can be said to fall into two periods – the early work (1912–25) and her later work (from around 1936 until her death), divided by a decade of reduced literary output. Her work was condemned and censored by Stalinist authorities and she is notable for choosing not to emigrate, and remaining in Russia, acting as witness to the atrocities around her. Her perennial themes include meditations on time and memory, and the difficulties of living and writing in the shadow of Stalinism. (Full article...)
Did you know (auto-generated) -
- ... that in the Six Poems by Marina Tsvetayeva, Dmitri Shostakovich wanted to convey how he imagined the poet's voice, "husky, hefty, occluded in the smoke of homegrown tobacco"?
- ... that Manuel Carpio's 1849 poem is the earliest literary depiction of the weeping ghost La Llorona?
- ... that Katharina Konradi, a soprano born in Kyrgyzstan, made a recording of lieder with pianist Gerold Huber including settings by Lori Laitman of children's poems written in Terezin?
- ... that one reviewer for Women Philosophers in the Long Nineteenth Century was let down by the book's lack of poetry?
- ... that Rabab Al-Kadhimi was threatened with deportation from Egypt due to the political nature of her poetry?
- ... that the poet Habibi was adopted by Aq Qoyunlu ruler Ya'qub Beg as a child after he was found shepherding?
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Mandala 1, Hymn 1, Rigveda by anonymous |
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1. I Laud Agni, the chosen Priest, God, minister of sacrifice, The hotar, lavishest of wealth. 2. Worthy is Agni to be praised by living as by ancient seers. He shall bring. hitherward the Gods. 3. Through Agni man obtaineth wealth, yea, plenty waxing day by day, Most rich in heroes, glorious. 4. Agni, the perfect sacrifice which thou encompassest about Verily goeth to the Gods. 5. May Agni, sapient-minded Priest, truthful, most gloriously great, The God, come hither with the Gods. 6. Whatever blessing, Agni, thou wilt grant unto thy worshipper, That, Angiras, is indeed thy truth. 7. To thee, dispeller of the night, O Agni, day by day with prayer Bringing thee reverence, we come 8. Ruler of sacrifices, guard of Law eternal, radiant One, Increasing in thine own abode. 9. Be to us easy of approach, even as a father to his son: Agni, be with us for our weal. |
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