Tristan Tzara (French:[tʁistɑ̃dzaʁa]; Romanian:[trisˈtanˈt͡sara]; born Samuel or Samy Rosenstock, also known as S. Samyro; 28 April [O.S. 16 April] 1896 – 25 December 1963) was a Romanian avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director, he was known best for being one of the founders and central figures of the anti-establishmentDada movement. Under the influence of Adrian Maniu, the adolescent Tzara became interested in Symbolism and co-founded the magazine Simbolul with Ion Vinea (with whom he also wrote experimental poetry) and painter Marcel Janco.
During World War I, after briefly collaborating on Vinea's Chemarea, he joined Janco in Switzerland. There, Tzara's shows at the Cabaret Voltaire and Zunfthaus zur Waag, as well as his poetry and art manifestos, became a main feature of early Dadaism. His work represented Dada's nihilistic side, in contrast with the more moderate approach favored by Hugo Ball. (Full article...)
Charles came to the Kingdom of Hungary upon the invitation of an influential Croatian lord, Paul Šubić, in August 1300. Andrew III died on 14 January 1301, and within four months Charles was crowned king, but with a provisional crown instead of the Holy Crown of Hungary. Most Hungarian noblemen refused to yield to him and elected Wenceslaus of Bohemia king. Charles withdrew to the southern regions of the kingdom. Pope Boniface VIII acknowledged Charles as the lawful king in 1303, but Charles was unable to strengthen his position against his opponent. Wenceslaus abdicated in favor of Otto of Bavaria in 1305. Because it had no central government, the Kingdom of Hungary had disintegrated into a dozen provinces, each headed by a powerful nobleman, or oligarch. One of those oligarchs, Ladislaus III Kán, captured and imprisoned Otto of Bavaria in 1307. Charles was elected king in Pest on 27 November 1308, but his rule remained nominal in most parts of his kingdom even after he was crowned with the Holy Crown on 27 August 1310. (Full article...)
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"Noi doi" (Romanian: "Us Both"; stylized as "Noi 2") is a song recorded by Romanian singer Alexandra Stan for her fourth studio album, Mami (2018). It was digitally released on 8 August 2017 through Alexandra Stan Records. The track was written and produced by Stan herself, with additional writing from Chriss JustUs, and production by Cristian Tarcea, Alex Parker and Laurențiu Popescu. "Noi doi" is Stan's first single as a lead artist to be entirely written and performed in Romanian. Lyrically, it features the singer asking her love interest to spend time at the beach with her. "Noi doi" received praise from a music critic for its summery style and Stan's vocal delivery. An accompanying music video was uploaded onto Stan's official YouTube channel simultaneously with the single's release. Shot by Bogdan Păun, it features Stan and two other women on a yacht. Commercially, the song peaked at number 80 in Romania. (Full article...)
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The Middle Ages in Romania began shortly after the withdrawal of the Roman legions from the former Romanprovince of Dacia in the late 3rd century and with the start of the Early Middle Ages and the Migration Period that followed afterwards respectively. It subsequently came to an end with the reign of DomnMichael the Brave (1593–1601) who managed, for a short time between 1599 and 1600, to rule Wallachia, Moldavia, and Transylvania together, the three principalities whose territories were to be united some three centuries later to form modern and contemporary Romania.
Over most of this period, Banat, Crișana, Maramureș, and Transylvania – now regions in Romania to the west of the Carpathian Mountains – were part of the Kingdom of Hungary. They were divided into several types of administrative units, such as "counties" and "seats". The heads of the Transylvanian counties or "counts" were subordinated to a special royal official called voivode, but the province was seldom treated as a single unit, since the Székely and Saxon seats were administered separately. In the kingdom, Romanian peasants, being Orthodox, were exempt from the tithe, an ecclesiastical tax payable by all Roman Catholic commoners. However, Romanian noblemen slowly lost the ability to participate in political life, as the 14th-century monarchs pursued a zealous pro-Catholic policy. Their position became even worse after 1437 when the so-called "Union of Three Nations", an alliance of the Hungarian noblemen, the Székelys, and the Saxons, was formed in order to crush the Bobâlna peasant uprising. (Full article...)
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Shishman (Bulgarian: Шишман; fl. 1270s/1280s — before 1308/1313) was a Bulgarian nobleman (boyar) who ruled a semi-independent realm based out of the Danubian fortress of Vidin in the late 13th and early 14th century. Shishman, who was bestowed the title of "despot" by Bulgarian emperor George Terter I, was a Cuman, and may have been established as lord of Vidin as early as the 1270s.
In 1291, he came under Golden Horde ("Tatar") suzerainty and in 1292 he was in charge of an unsuccessful campaign against neighbouring Serbia. Even though the Serbs captured Vidin in their counter-offensive, perhaps thanks to Tatar influence Shishman was placed once more as the ruler of the region, this time as a Serbian vassal. However, he continued to rule his lands largely independently. As his son and successor as despot of Vidin Michael Shishman acceded to the Bulgarian throne in 1323, Shishman was the progenitor of the last medieval Bulgarian royal dynasty, the Shishman dynasty. (Full article...)
Robert ordained a Hungarian Dominican friar, Theodoric, as the first bishop of Cumania in early 1228. Pope Gregory IX confirmed Theodoric's consecration on 21 March of that year, and the diocese was subordinate to the Holy See in 1229. The episcopal see was on the Milcov River, but its exact location is unknown. The diocese included Burzenland and lands east of the Carpathian Mountains. Vlachs (Romanians) who belonged to the Orthodox Church were a significant part of the diocese's population. They did not follow the Catholic bishop, and persuaded many Catholic Hungarians and Saxons to accept their Orthodox bishops. (Full article...)
In Slavic folklore, the raskovnik or razkovniche (SerbianCyrillic and Macedonian: расковник; Bulgarian: разковниче[rɐsˈkɔvnit͡ʃɛ]; Russian: разрыв-трава; Polish: rozryw) is a magical herb. According to lore, the raskovnik has the magical property to unlock or uncover anything that is locked or closed. However, legends claim it is notoriously difficult to recognize the herb, and reputedly only certain chthonic animals are able to identify it. (Full article...)
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Constantin Al. Ionescu-Caion (Romanian pronunciation:[konstanˈtinaljoˈneskukaˈjon], born Constantin Alexandru Ionescu and commonly known as Caion; 1882 – November or December 1918) was a Romanian journalist and poet, primarily remembered for his legal dispute with humorist Ion Luca Caragiale. He was a Symbolist, a disciple of Alexandru Macedonski, and a militant Francophile, as well as a leading opponent of literary tradition. His scattered work comprises essays, short stories and prose poetry, noted for their cultural references, but made little impact on Romanian literature. As a journalist, Caion prioritized scandals, accusing Caragiale of plagiarism and losing the subsequent celebrity trial of 1902, before partly recanting and winning the retrial. Despite his own coquetries with Romanian nationalism, Caion focused his verve on Transylvania's contemporary nationalist literary current.
Ionescu-Caion was the founder of several magazines, most notably Românul Literar. Originally conceived as a literary supplement for the daily Românul, it became a tribune of Macedonski's Romanian Symbolist movement, and helped discover George Bacovia, the celebrated modern poet. During World War I, when he oscillated between the two opposing camps, Caion put out the journal Cronicarul. This was his last known activity in the Romanian press. (Full article...)
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Szilágyi coat of arms
Justina Szilágyi de Horogszeg (Hungarian: horogszegi Szilágyi Jusztina; before 1455 – 1497) was a Hungarian noblewoman, who became the second wife of Vlad Dracula, Voivode of Wallachia. She was the daughter of Ladislaus or Osvát Szilágyi and thus a cousin of Matthias Corvinus, King of Hungary. Corvinus first gave her in marriage to Wenceslas Pongrác of Szentmiklós. Pongrác had inherited estates in Upper Hungary (present-day Slovakia), but was forced to renounce them in exchange for landed property he and Justina jointly received in Transylvania following their marriage. After Pongrác died in 1474, the widowed Justina married Vlad, whom Corvinus acknowledged as the lawful voivode of Wallachia in 1475. Vlad seized Wallachia in late 1476, but soon died in battle. To strengthen her claim to her Transylvanian estates, she married Paul Suki, who was related to the former owners of those territories. After the death of Suki, in 1479, Justina was married to John Erdélyi of Somkerék, until her death in 1497. (Full article...)
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"Déjà Vu" is a song by Romanian musician Bob Taylor and Romanian recording artist Inna for the latter's debut studio album, Hot (2009). Released in June 2009, it was written and produced by Sebastian Barac, Radu Bolfea and Marcel Botezan. Musically, the single is of the dance genre, and originally contained the vocals of Romanian singer Alessia. However, after a feud over compensation between Taylor and her, the song was handed to Inna, although the early version had already been released.
When premiering the new version of "Déjà Vu", Taylor and Inna opted for pseudonyms before revealing their identity later. In order to accompany the single, a music video was shot at a club in Neptun, Romania by Tom Boxer, and it initially did not feature Inna until another version of the visual showed footage of her in Turkey. Commercially, the recording experienced success in European countries, reaching the top ten of the charts in Greece, the Commonwealth of Independent States, France and Romania, among others. "Déjà Vu" was certified Gold by the Dutch Association of Producers and Importers of Image and Sound Carriers (NVPI) for selling over 10,000 copies in the Netherlands. (Full article...)
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"The Moon" is a song recorded by Romanian group Taxi. It was released as a CD single in 2000 by Intercont Music in Romania, containing its Romanian-language version "Luna" as a B-side. "The Moon" was written and produced solely by Teodorescu. It represented Romania in the Eurovision Song Contest 2000 in Stockholm, Sweden, after "Luna" won the pre-selection show Selecția Națională. In Stockholm, Romania automatically qualified to the final due to their relegation in the previous year and finished in 17th place with 25 points. (Full article...)
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"Clap Clap" is a song by Romanian duo Gran Error, Albanian singer Elvana Gjata and Romanian singer Antonia. The song was produced by Achi, Marcel Botezan and Sebastian Barac, who served as co-writers with Iraida. It was released as a single for digital download and streaming by Global Records on 8 July 2022. An English and Spanish-languagetechno-inspired song, it encourages to be bold and transparent, and to let go of anything that stops their freedom. The song received positive receptions from a few music critics, who applauded the music and sound. It reached the record charts at number one in Albania, number three in Romania and number 32 in Poland. An accompanying music video was directed by Alexandru Muresan and Elena Maria Popescu, and uploaded to Gjata's YouTube channel alongside the single release. Filmed in Bucharest, Romania, the video finds the artists and several other people dancing and partying in a karting arena and gaming center. (Full article...)
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"De la capăt" (Romanian for 'From the beginning'; cfr. "da capo") is a song recorded by Romanian group Voltaj for their tenth studio album X (2016). It was made available as a single for digital download on 31 October 2014 by Cat Music and Voltz Media. A Romanian song, two other versions were released eventually—"De la capăt (All Over Again)" in Romanian and English, and "All Over Again" fully in English. "De la capăt (All Over Again)" was written by band members Călin Goia, Gabriel Constantin and Adrian Cristescu with Silviu Marian Păduraru and Victor Răzvan Alstani, while music was composed by the aforementioned alongside Monica-Ana Stevens and Andrei-Mădalin Leonte. "De la capăt" has been described as an indie pop rock and soft rock song, and is a manifesto raising awareness for children whose parents have left them behind to work abroad.
"De la capăt (All Over Again)" represented Romania in the 2015 Eurovision Song Contest in Vienna, Austria after winning the pre-selection show Selecția Națională. The country went on to reach 15th place in a field of 26, scoring a total of 35 points. During Voltaj's minimalistic and mostly black-and-white show, the stage was scattered with multiple suitcases while excerpts from the music video were shown on the background LED screen. "De la capăt" received mixed reviews from music critics, with praise for the song's message and lyrics, as well as for band soloist Goia's vocal delivery. Observers have compared the track to "I Could Sing of Your Love Forever" (1995) by Delirious?. It won in the Best Pop Rock Song category at the 2015 Radio România Actualități Awards. (Full article...)
"No Sleepin'" is a song recorded by Romanian singer Corina and Romanian rapper JJ, released on 25 October 2010. It was written by Andrei Maria, Corina and JJ, and produced by Maria, Bogdan Albulescu, Corina and Șerban Cazan. "No Sleepin'" marked the singer's return to the music industry after a hiatus. Musically, it is a synthpop-influenced uptempo dance song featuring a piano and a clink sound in its instrumentation; its lyrics revolve around partying at night and not sleeping.
A music critic from Romanian website Divercity Cafe was positive towards the track, predicting its commercial success, while another compared it to the works of DJ BoBo. To accompany "No Sleepin'", a music video was premiered on 13 January 2011. Filmed by Marian Dinescu at the Casa Scriitorilor in Bucharest, Romania, it portrays Corina impersonating a female punkburlesque character. The visual received a nomination in the Best Video category at the 2011 Romanian Music Awards. Further promoted by a live performance at the aforementioned event, the track peaked within the top ten in Romania and on the Polish television airplay chart, as well as within the top 60 in Russia. (Full article...)
The Romanian revolution (Romanian: Revoluția română) was a period of violent civil unrest in Romania during December 1989 as a part of the revolutions of 1989 that occurred in several countries around the world, primarily within the Eastern Bloc. The Romanian revolution started in the city of Timișoara and soon spread throughout the country, ultimately culminating in the drumhead trial and execution of longtime Romanian Communist Party (PCR) General Secretary Nicolae Ceaușescu and his wife Elena, and the end of 42 years of Communist rule in Romania. It was also the last removal of a Marxist–Leninist government in a Warsaw Pact country during the events of 1989, and the only one that violently overthrew a country's leadership and executed its leader; according to estimates, over one thousand people died and thousands more were injured.
Following World War II, Romania found itself inside the Soviet sphere of influence, with Communist rule officialy declared in 1947. In April 1964, when Romania published a general policy paper worked out under Dej's instructions, the country was well on its way of carefully breaking away from Soviet control. Nicolae Ceaușescu became the country's leader the following year. Under his rule, Romania experienced a brief waning of internal repression that led to a positive image both at home and in the West. However, repression again intensified by the 1970s. Amid tensions in the late 1980s, early protests occurred in the city of Timișoara in mid-December on the part of the Hungarian minority in response to an attempt by the government to evict Hungarian Reformed Church pastor László Tőkés. In response, Romanians sought the deposition of Ceaușescu and a change in government in light of similar recent events in neighbouring nations. The country's ubiquitous secret police force, the Securitate, which was both one of the largest in the Eastern Bloc and for decades had been the main suppressor of popular dissent, frequently and violently quashing political disagreement, ultimately proved incapable of stopping the looming, and then highly fatal and successful revolt. (Full article...)
... that film critic and censor D. I. Suchianu wanted Romanian moviegoers to cease "falling asleep whenever they're not shown a naked breast [or] a hip that's getting some action"?
... that Soviet politician Pavel Chioru wanted "Moldovan", which he developed from a dialect of Romanian, to serve as a language of the "exploited" against the supposedly upper-class Romanian?
Image 5Lieutenant Emil Rebreanu was awarded the Medal for Bravery in gold, the highest military award given by the Austrian command to an ethnic Romanian; he would later be hanged for desertion while trying to escape to Romania. (from History of Romania)
Image 7Romania after the territorial losses of 1940. The recovery of Bessarabia and Northern Bukovina was the catalyst for Romania's entry into the war on Germany's side. (from History of Romania)
Image 17Romanian keyboard with special characters (from Culture of Romania)
Image 18Ethnic map of Greater Romania according to the 1930 census. Sizeable ethnic minorities put Romania at odds with Hungary, Bulgaria, and the Soviet Union throughout the interwar period. (from History of Romania)
Image 19Map of Romania after World War II indicating lost territories (from History of Romania)
Image 271941 stamp depicting a Romanian and a German soldier in reference to the two countries' common participation in Operation Barbarossa. The text below reads the holy war against Bolshevism. (from History of Romania)
Image 28Romania has seen its largest waves of protests against judicial reform ordinances of the PSD-ALDE coalition during the 2017–2019 Romanian protests. (from History of Romania)
Image 46Bran Castle (German: Törzburg, Hungarian: Törcsvár) built in 1212, is commonly known as Dracula's Castle and is situated in the centre of present-day Romania. In addition to its unique architecture, the castle is famous because of persistent myths that it was once the home of Vlad III Dracula. (from History of Romania)
Image 79The Principalities of Moldavia and Wallachia in 1786, Italian map by G. Pittori, since the geographer Giovanni Antonio Rizzi Zannoni (from History of Romania)
This is a list of recognized content, updated weekly by JL-Bot (talk·contribs) (typically on Saturdays). There is no need to edit the list yourself. If an article is missing from the list, make sure it is tagged (e.g. {{WikiProject Romania}}) or categorized correctly and wait for the next update. See WP:RECOG for configuration options.
![Image 1 Portrait of Tristan Tzara, by Robert Delaunay (1923) Tristan Tzara (French: [tʁistɑ̃ dzaʁa]; Romanian: [trisˈtan ˈt͡sara]; born Samuel or Samy Rosenstock, also known as S. Samyro; 28 April [O.S. 16 April] 1896 – 25 December 1963) was a Romanian avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director, he was known best for being one of the founders and central figures of the anti-establishment Dada movement. Under the influence of Adrian Maniu, the adolescent Tzara became interested in Symbolism and co-founded the magazine Simbolul with Ion Vinea (with whom he also wrote experimental poetry) and painter Marcel Janco. During World War I, after briefly collaborating on Vinea's Chemarea, he joined Janco in Switzerland. There, Tzara's shows at the Cabaret Voltaire and Zunfthaus zur Waag, as well as his poetry and art manifestos, became a main feature of early Dadaism. His work represented Dada's nihilistic side, in contrast with the more moderate approach favored by Hugo Ball. (Full article...)](/wiki/File:Blank.png)
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