List of paintings by Albrecht Dürer
The following is an incomplete list of paintings by the German painter and engraver Albrecht Dürer.
Legend for the table[edit]
Articles at the beginning of some titles are dropped for better sortability. Paintings that belong together are not always joined, except for the occasional back sides of paintings. Secondary specifications are in small font. The original medium is mentioned first, modifications that represent the current state are stated subsequently. In the case of Dürer time spans are not likely to represent the time spent working on the picture, instead usually signifies the (ideally) most recent estimated date by scholars for a work, that has no year stated by Dürer's own hand (usually with his monogram "AD") and/or decisive source.
For the current location the city is mentioned first, it is most unambiguous and allows to combine multiple galleries of that city. The gallery where the work is displayed is mentioned second, (sometimes) followed by the name of the actual superordinate collection owning the work. The inventory number of the object in brackets is (ideally) linked to the entry in the online catalogue of the collection if available. The last column gives the number of the catalogue raisonnée of Dürer's paintings, which Fedja Anzelewsky, lifelong affiliated with the Kupferstichkabinett Berlin, compiled and published in 1971 (and revised 20 years later). The legend for the four different capitals following the chronological numbering is as follows:
- K ("Kopie") only survived as copy
- V ("verschollen") for lost but known through writings
- Z ("Zeichnung") painting that only survived in drawings
- W ("Werkstatt") workshop painting
Image | Title | Year | Medium | Dimensions h × w in cm |
Location, Gallery, Collection (Inv. nr.) |
CR nr. |
---|---|---|---|---|---|---|
Portrait of Barbara Dürer diptych, left wing |
1490 | Oil on panel | 47 × 38 | Nuremberg, Germanisches Nationalmuseum (Bayerische Staatsgemäldesammlungen) | 4V | |
Portrait of Dürer's Father diptych, right wing back side: Combined Coat of Arms of the Dürer and Holper Families |
1490 | Oil on panel | 47.5 × 39.5 47 × 39 |
Florence, Uffizi | 2 3 | |
Man of Sorrows | c. 1493 | Oil on panel | 30 × 19 | Karlsruhe, Staatliche Kunsthalle | 9 | |
Self-portrait | 1493 | Oil on vellum, transferred to canvas | 56.5 × 44.5 | Paris, Musée du Louvre | 10 | |
Virgin and Child before an Archway (Bagnacavallo Madonna) | c. 1495 | Oil on panel | 48 × 36 | Mamiano di Traversetolo near Parma, Magnani-Rocca Foundation | 16 | |
Seven Sorrows Polyptych | c. 1495/96 | Oil on panel (pine wood) | 63 × 44.5–46.5 each side panel 109 × 43 central panel |
Dresden, Gemäldegalerie Alte Meister (seven surrounding panels) (1875–1881) Munich, Alte Pinakothek (central panel) (709) |
21–27 20 | |
Portrait of Elector Frederick the Wise of Saxony | 1496 | Tempera on canvas | 76 × 57 | Berlin, Gemäldegalerie (Berlin State Museums) | 19 | |
Dresden Altarpiece | 1496 | Tempera on canvas | 114 × 96.5 central panel 114 × 45 each wing |
Dresden, Gemäldegalerie Alte Meister (1869) | [C][1] 39, 40 | |
Saint Jerome in the Wilderness back side: Heavenly Scene |
c. 1496 | Oil on panel | 23 × 17 | London, National Gallery | 14 15 | |
Portrait of Dürer's Father at 70 copy |
1497 | Oil on panel | 51 × 40.3 | London, National Gallery | 48 | |
Portrait of a Young Woman with Her Hair Down or Portrait of a Young Fürleger with Loose Hair |
1497 | Oil on canvas | 56 × 43 | Frankfurt, Städel | 45K | |
Portrait of a Young Fürleger with Her Hair Done Up | 1497 | Oil on canvas | 56.5 × 42.5 | Berlin, Gemäldegalerie | 46 | |
Portrait of a Man | 1497–98 | Oil on parchment on panel | 24.2 × 20 | Kreuzlingen (Switzerland), Heinz Kisters Collection | 47 | |
Self-Portrait | 1498 | Oil on panel | 52.5 × 41 | Madrid, Museo del Prado | 49 | |
Lamentation | 1498 | Oil on panel | 147 × 118 | Nuremberg, Germanisches Nationalmuseum (165) | 55 | |
Haller Madonna | c. 1496/1499 | Oil on panel | 52.4 × 42.2 | Washington, National Gallery of Art | 43 | |
Lot and His Daughters | c. 1496/1499 | Oil on panel | 52.4 × 42.2 | Washington, National Gallery of Art | 44 | |
Portrait of Hans Tucher diptych, left wing back side: Combined Coat-of-Arms of the Tucher and Rieter Families |
1499 | Oil on panel | 28 × 24 | Weimar, Schlossmuseum | 60 61 | |
Portrait of Felicitas Tucher (née Rieter) diptych, right wing |
1499 | Oil on panel | 28 × 24 | Weimar, Schlossmuseum | 62 | |
Portrait of Elsbeth Tucher (née Pusch) diptych, left wing lost |
1499 | Oil on panel | 29.1 × 23.3 | Kassel, Gemäldegalerie Alte Meister (GK 6), Wilhelmshöhe Palace (Museumslandschaft Hessen Kassel) | 63 64/65V[2] | |
Portrait of Oswolt Krel | 1499 | Oil on panel | 50 × 39 central panel, 50 × 16 each side panel |
Munich, Alte Pinakothek | 56–58 | |
Portrait of an Unknown Man in a Red Gown (St Sebastian) | c. 1499 | Oil on panel | 52 × 40 | Bergamo, Accademia Carrara | 59 | |
Self-Portrait with Fur-Trimmed Robe | 1500 | Oil on panel | 67.1 × 48.9 | Munich, Alte Pinakothek | 66 | |
Heracles and the Stymphalian Birds | 1500 | Oil on panel | 87 × 110 truncated[3] |
Nuremberg, Germanisches Nationalmuseum (5379) | 67 | |
Paumgartner altarpiece
|
c. 1500 | Oil on panel | 155 × 126.1 central panel, 151 × 61 each wing |
Munich, Alte Pinakothek | 50–52 53W, 54K | |
Lamentation of Christ | 1500–1503 | Oil on panel | 151 × 121 | Munich, Alte Pinakothek | ||
Madonna and Child at the Breast | 1503 | Oil on panel | 24.1 × 18.3 | Vienna, Kunsthistorisches Museum | ||
Jabach Altarpiece triptych wings (central panel lost)
|
c. 1503/05 | Oil on panel | 96.6 × 54.5 (l) 97 × 55.1 (r) |
Munich, Alte Pinakothek (WAF 228 and WAF 229) | ||
Jabach Altarpiece outer panels:
|
c. 1503–1504 | Oil on panel | 94 × 51 (l) 94 x 57 (r) |
Frankfurt, Städel (890) (left) Cologne, Wallraf-Richartz Museum (WRM 0369) (right) |
||
Adoration of the Magi | 1504 | Oil on panel | 99 × 113.5 | Florence, Uffizi | ||
Portrait of a Man | c. 1504 | Oil on panel | 43 × 29 | Budapest, Museum of Fine Arts | ||
Portrait of a Venetian Woman | 1505 | Oil on panel | 32.5 × 24.5 | Vienna, Kunsthistorisches Museum | ||
Salvator Mundi unfinished |
1505 | Oil on panel | 58.1 × 47 | New York, Metropolitan Museum of Art | ||
Portrait of Burkard von Speyer | 1506 | Oil on panel | 31.7 × 26 | Berkshire, Windsor Castle (Royal Collection) | ||
Feast of the Rosary | 1506 | Oil on panel | 162 × 194.5 | Prague, Národní galerie | ||
Portrait of a Young Man | 1506 | Oil on panel | 50 × 40 | Genoa, Palazzo Rosso | ||
Madonna with the Siskin | 1506 | Oil on panel | 91 × 76 | Berlin, Gemäldegalerie | ||
Christ Among the Doctors | 1506 | Oil on panel | 64.3 × 80.3 | Madrid, Museo Nacional Thyssen-Bornemisza | ||
Portrait of a Venetian Woman | 1506–1507 | Oil on panel | 28.5 × 21.5 | Berlin, Gemäldegalerie | ||
Adam and Eve | 1507 | Oil on panel | 209 × 81 each panel |
Madrid, Museo del Prado | ||
Portrait of a Young Man back side: Allegory of Avarice |
1507 | Oil on panel | 35 × 29 | Vienna, Kunsthistorisches Museum | ||
Portrait of a Young Girl | 1507 | Oil on parchment transferred to panel | 30 × 20 | Berlin, Gemäldegalerie | ||
Martyrdom of the Ten Thousand | 1508 | Oil on panel transferred to canvas | 101 × 89 | Vienna, Kunsthistorisches Museum | ||
Heller Altar copy |
1508–1509 | Oil and tempera on panel | 189 × 138 central element |
Frankfurt, Historical Museum | ||
Holy Family | 1509 | Oil on panel | 31 × 39 | Rotterdam, Museum Boijmans Van Beuningen | ||
The Adoration of the Trinity (Landauer Altar) | 1511 | Oil on panel | 135 × 123.4 | Vienna, Kunsthistorisches Museum | ||
Madonna of the Pear | 1512 | Oil on panel | 49 × 37 | Vienna, Kunsthistorisches Museum | ||
Emperor Charlemagne and Emperor Sigismund | c. 1512 | Oil and tempera on panel | 215 × 115 each, including frame |
Nuremberg, Germanisches Nationalmuseum (Gm167 and Gm168) | ||
Madonna of the Carnation | 1516 | Oil on panel | 36 × 25 | Munich, Alte Pinakothek | ||
Portrait of Michael Wolgemut | 1516 | Oil and tempera on panel | 29 × 27 | Nuremberg, Germanisches Nationalmuseum | ||
Portrait of a Clergyman (Johann Dorsch?) | 1516 | Oil on parchment on fabric | 41.7 × 32.7 | Washington, National Gallery of Art, Samuel H. Kress Collection (1952.2.17) | ||
Apostles Philip and James | 1516 | Tempera on panel | 45 × 38 46 × 37 |
Florence, Uffizi (1089, 1890, 1099) | ||
Lucretia (The Suicide of Lucretia) | 1518 | Oil on panel | 168 × 74.8 | Munich, Alte Pinakothek | ||
Virgin Mary in Prayer | 1518 | Oil on panel | 53 × 43 | Berlin, Gemäldegalerie | ||
Virgin and Child with St Anne | 1519 | Oil and tempera on canvas, transferred from panel | 60 × 50 | New York, Metropolitan Museum of Art (14.40.633) | ||
Portrait of Jakob Fugger the Wealthy | c. 1520 | Tempera on canvas | 69 × 53 | Augsburg, Staatsgalerie Altdeutsche Meister (Bavarian State Painting Collections) | ||
Portrait of Emperor Maximilian I | 1519 | Oil on panel | 74 × 61.5 | Vienna, Kunsthistorisches Museum | ||
Portrait of Emperor Maximilian I of Habsburg | 1519 | Tempera on canvas | 83 × 65 | Nuremberg, Germanisches Nationalmuseum (Gm169) | ||
Portrait of a Man | 1520 | Distemper on canvas mounted on panel | 40 × 30 | Paris, Musée du Louvre | ||
Head of a Woman | c. 1520 | Tempera on canvas | 25.5 × 21.5 | Paris, Bibliothèque nationale de France | ||
Portrait of Bernhart von Reesen | 1521 | Oil on panel (oak wood) | 45.5 × 31.5 | Dresden, Gemäldegalerie Alte Meister (1871) | ||
Portrait of a Man in a Fur Coat (Rodrigo de Almada?) | 1521 | Oil on panel | 50.6 × 32.9 | Boston, Isabella Stewart Gardner Museum (P21n10) | ||
St. Jerome in His Study | 1521 | Oil on panel (oak wood) | 60 × 48 | Lisbon, Museum Nacional de Arte Antiga (828 Pint) | ||
Portrait of a Man with Beret and Scroll | 1521 | Oil on panel | 50 × 36 | Madrid, Museo del Prado | ||
Virgin and Child with Saint Anne | 1523 | Oil on panel | 75 x 64.5 | Warsaw, Muzeum Kolekcji im. Jana Pawła II (Porczyński Gallery) | ||
Madonna and Child with the Pear | 1526 | Oil on panel | 43 × 31 | Florence, Uffizi (1890, 1171) | ||
Portrait of Jakob Muffel | 1526 | Oil on panel, transferred to canvas | 48 × 36 | Berlin, Gemäldegalerie | ||
Portrait of Hieronymus Holzschuher | 1526 | Oil on panel | 51 × 37 | Berlin, Gemäldegalerie | ||
Portrait of Johannes Kleberger | 1526 | Oil on panel | 36.5 × 36.5 | Vienna, Kunsthistorisches Museum | ||
The Four Apostles
|
1526 | Oil on panel | 212.8 × 76.2 each panel |
Munich, Alte Pinakothek | ||
Way to Calvary | 1527 | Oil on panel | 32 × 47 | Bergamo, Accademia Carrara |
See also[edit]
Sources[edit]
- Wolf, Norbert. Albrecht Dürer. Prestel, 2010. ISBN 978-3-7913-4426-3
- ^ The central panel is recognized only as copy by Master Jhan(?). Anzelewsky 1971, p. 134ff.
- ^ Lost portrait of her husband Nikolaus Tucher and a coat-of-arms on the reverse. Anzelewsky 1971, p. 63f.
- ^ Anzelewsky proposed the original form to be an ogival or a round arched field of a wall; it would have shown all three "birds" in full. Anzelewsky 1971, p. 168–170.