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List of paintings by Albrecht Dürer

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The following is an incomplete list of paintings by the German painter and engraver Albrecht Dürer.

Legend for the table[edit]

Articles at the beginning of some titles are dropped for better sortability. Paintings that belong together are not always joined, except for the occasional back sides of paintings. Secondary specifications are in small font. The original medium is mentioned first, modifications that represent the current state are stated subsequently. In the case of Dürer time spans are not likely to represent the time spent working on the picture, instead usually signifies the (ideally) most recent estimated date by scholars for a work, that has no year stated by Dürer's own hand (usually with his monogram "AD") and/or decisive source.

For the current location the city is mentioned first, it is most unambiguous and allows to combine multiple galleries of that city. The gallery where the work is displayed is mentioned second, (sometimes) followed by the name of the actual superordinate collection owning the work. The inventory number of the object in brackets is (ideally) linked to the entry in the online catalogue of the collection if available. The last column gives the number of the catalogue raisonnée of Dürer's paintings, which Fedja Anzelewsky, lifelong affiliated with the Kupferstichkabinett Berlin, compiled and published in 1971 (and revised 20 years later). The legend for the four different capitals following the chronological numbering is as follows:

  • K ("Kopie") only survived as copy
  • V ("verschollen") for lost but known through writings
  • Z ("Zeichnung") painting that only survived in drawings
  • W ("Werkstatt") workshop painting


Image Title Year Medium Dimensions
h × w in cm
Location, Gallery,
Collection (Inv. nr.)
CR nr.
Portrait of Barbara Dürer
diptych, left wing
1490 Oil on panel 47 × 38 Nuremberg, Germanisches Nationalmuseum (Bayerische Staatsgemäldesammlungen) 4V
Portrait of Dürer's Father
diptych, right wing
back side:

Combined Coat of Arms of the Dürer and Holper Families
1490 Oil on panel 47.5 × 39.5
47 × 39
Florence, Uffizi 2
3
Man of Sorrows c. 1493 Oil on panel 30 × 19 Karlsruhe, Staatliche Kunsthalle 9
Self-portrait 1493 Oil on vellum, transferred to canvas 56.5 × 44.5 Paris, Musée du Louvre 10
Virgin and Child before an Archway (Bagnacavallo Madonna) c. 1495 Oil on panel 48 × 36 Mamiano di Traversetolo near Parma, Magnani-Rocca Foundation 16
Seven Sorrows Polyptych c. 1495/96 Oil on panel (pine wood) 63 × 44.5–46.5
each side panel
109 × 43
central panel
Dresden, Gemäldegalerie Alte Meister
(seven surrounding panels) (1875–1881)
Munich, Alte Pinakothek (central panel) (709)
21–27
20
Portrait of Elector Frederick the Wise of Saxony 1496 Tempera on canvas 76 × 57 Berlin, Gemäldegalerie (Berlin State Museums) 19
Dresden Altarpiece 1496 Tempera on canvas 114 × 96.5
central panel
114 × 45
each wing
Dresden, Gemäldegalerie Alte Meister (1869) [C][1]
39, 40
Saint Jerome in the Wilderness
back side:
Heavenly Scene
c. 1496 Oil on panel 23 × 17 London, National Gallery 14
15
Portrait of Dürer's Father at 70
copy
1497 Oil on panel 51 × 40.3 London, National Gallery 48
Portrait of a Young Woman with Her Hair Down
or Portrait of a Young Fürleger with Loose Hair
1497 Oil on canvas 56 × 43 Frankfurt, Städel 45K
Portrait of a Young Fürleger with Her Hair Done Up 1497 Oil on canvas 56.5 × 42.5 Berlin, Gemäldegalerie 46
Portrait of a Man 1497–98 Oil on parchment on panel 24.2 × 20 Kreuzlingen (Switzerland), Heinz Kisters Collection 47
Self-Portrait 1498 Oil on panel 52.5 × 41 Madrid, Museo del Prado 49
Lamentation 1498 Oil on panel 147 × 118 Nuremberg, Germanisches Nationalmuseum (165) 55
Haller Madonna c. 1496/1499 Oil on panel 52.4 × 42.2 Washington, National Gallery of Art 43
Lot and His Daughters c. 1496/1499 Oil on panel 52.4 × 42.2 Washington, National Gallery of Art 44
Portrait of Hans Tucher
diptych, left wing
back side:

Combined Coat-of-Arms of the Tucher and Rieter Families
1499 Oil on panel 28 × 24 Weimar, Schlossmuseum 60
61
Portrait of Felicitas Tucher (née Rieter)
diptych, right wing
1499 Oil on panel 28 × 24 Weimar, Schlossmuseum 62
Portrait of Elsbeth Tucher (née Pusch)
diptych, left wing lost
1499 Oil on panel 29.1 × 23.3 Kassel, Gemäldegalerie Alte Meister (GK 6), Wilhelmshöhe Palace (Museumslandschaft Hessen Kassel) 63
64/65V[2]
Portrait of Oswolt Krel 1499 Oil on panel 50 × 39
central panel, 50 × 16
each side panel
Munich, Alte Pinakothek 56–58
Portrait of an Unknown Man in a Red Gown (St Sebastian) c. 1499 Oil on panel 52 × 40 Bergamo, Accademia Carrara 59
Self-Portrait with Fur-Trimmed Robe 1500 Oil on panel 67.1 × 48.9 Munich, Alte Pinakothek 66
Heracles and the Stymphalian Birds 1500 Oil on panel 87 × 110
truncated[3]
Nuremberg, Germanisches Nationalmuseum (5379) 67
Paumgartner altarpiece
  • Nativity
  • Georg Paumgartner as St George (inner left wing)
  • Lukas Paumgartner as St Eustacius (inner right wing)
  • Lost Annunciation with the Virgin and Gabriel on the left and right wing resp.
c. 1500 Oil on panel 155 × 126.1
central panel, 151 × 61
each wing
Munich, Alte Pinakothek 50–52
53W, 54K
Lamentation of Christ 1500–1503 Oil on panel 151 × 121 Munich, Alte Pinakothek
Madonna and Child at the Breast 1503 Oil on panel 24.1 × 18.3 Vienna, Kunsthistorisches Museum
Jabach Altarpiece
triptych wings (central panel lost)
  • Saints Joseph and Joachim
  • Saints Simeon and Lazarus
c. 1503/05 Oil on panel 96.6 × 54.5 (l)
97 × 55.1 (r)
Munich, Alte Pinakothek (WAF 228 and WAF 229)
Jabach Altarpiece
outer panels:
  • Job on the Dungheap
  • Piper and Drummer
c. 1503–1504 Oil on panel 94 × 51 (l)
94 x 57 (r)
Frankfurt, Städel (890) (left)
Cologne, Wallraf-Richartz Museum (WRM 0369) (right)
Adoration of the Magi 1504 Oil on panel 99 × 113.5 Florence, Uffizi
Portrait of a Man c. 1504 Oil on panel 43 × 29 Budapest, Museum of Fine Arts
Portrait of a Venetian Woman 1505 Oil on panel 32.5 × 24.5 Vienna, Kunsthistorisches Museum
Salvator Mundi
unfinished
1505 Oil on panel 58.1 × 47 New York, Metropolitan Museum of Art
Portrait of Burkard von Speyer 1506 Oil on panel 31.7 × 26 Berkshire, Windsor Castle (Royal Collection)
Feast of the Rosary 1506 Oil on panel 162 × 194.5 Prague, Národní galerie
Portrait of a Young Man 1506 Oil on panel 50 × 40 Genoa, Palazzo Rosso
Madonna with the Siskin 1506 Oil on panel 91 × 76 Berlin, Gemäldegalerie
Christ Among the Doctors 1506 Oil on panel 64.3 × 80.3 Madrid, Museo Nacional Thyssen-Bornemisza
Portrait of a Venetian Woman 1506–1507 Oil on panel 28.5 × 21.5 Berlin, Gemäldegalerie
Adam and Eve 1507 Oil on panel 209 × 81
each panel
Madrid, Museo del Prado
Portrait of a Young Man
back side:
Allegory of Avarice
1507 Oil on panel 35 × 29 Vienna, Kunsthistorisches Museum
Portrait of a Young Girl 1507 Oil on parchment transferred to panel 30 × 20 Berlin, Gemäldegalerie
Martyrdom of the Ten Thousand 1508 Oil on panel transferred to canvas 101 × 89 Vienna, Kunsthistorisches Museum
Heller Altar
copy
1508–1509 Oil and tempera on panel 189 × 138
central element
Frankfurt, Historical Museum
Holy Family 1509 Oil on panel 31 × 39 Rotterdam, Museum Boijmans Van Beuningen
The Adoration of the Trinity (Landauer Altar) 1511 Oil on panel 135 × 123.4 Vienna, Kunsthistorisches Museum
Madonna of the Pear 1512 Oil on panel 49 × 37 Vienna, Kunsthistorisches Museum
Emperor Charlemagne and Emperor Sigismund c. 1512 Oil and tempera on panel 215 × 115
each, including frame
Nuremberg, Germanisches Nationalmuseum (Gm167 and Gm168)
Madonna of the Carnation 1516 Oil on panel 36 × 25 Munich, Alte Pinakothek
Portrait of Michael Wolgemut 1516 Oil and tempera on panel 29 × 27 Nuremberg, Germanisches Nationalmuseum
Portrait of a Clergyman (Johann Dorsch?) 1516 Oil on parchment on fabric 41.7 × 32.7 Washington, National Gallery of Art, Samuel H. Kress Collection (1952.2.17)
Apostles Philip and James 1516 Tempera on panel 45 × 38
46 × 37
Florence, Uffizi (1089, 1890, 1099)
Lucretia (The Suicide of Lucretia) 1518 Oil on panel 168 × 74.8 Munich, Alte Pinakothek
Virgin Mary in Prayer 1518 Oil on panel 53 × 43 Berlin, Gemäldegalerie
Virgin and Child with St Anne 1519 Oil and tempera on canvas, transferred from panel 60 × 50 New York, Metropolitan Museum of Art (14.40.633)
Portrait of Jakob Fugger the Wealthy c. 1520 Tempera on canvas 69 × 53 Augsburg, Staatsgalerie Altdeutsche Meister (Bavarian State Painting Collections)
Portrait of Emperor Maximilian I 1519 Oil on panel 74 × 61.5 Vienna, Kunsthistorisches Museum
Portrait of Emperor Maximilian I of Habsburg 1519 Tempera on canvas 83 × 65 Nuremberg, Germanisches Nationalmuseum (Gm169)
Portrait of a Man 1520 Distemper on canvas mounted on panel 40 × 30 Paris, Musée du Louvre
Head of a Woman c. 1520 Tempera on canvas 25.5 × 21.5 Paris, Bibliothèque nationale de France
Portrait of Bernhart von Reesen 1521 Oil on panel (oak wood) 45.5 × 31.5 Dresden, Gemäldegalerie Alte Meister (1871)
Portrait of a Man in a Fur Coat (Rodrigo de Almada?) 1521 Oil on panel 50.6 × 32.9 Boston, Isabella Stewart Gardner Museum (P21n10)
St. Jerome in His Study 1521 Oil on panel (oak wood) 60 × 48 Lisbon, Museum Nacional de Arte Antiga (828 Pint)
Portrait of a Man with Beret and Scroll 1521 Oil on panel 50 × 36 Madrid, Museo del Prado
Virgin and Child with Saint Anne 1523 Oil on panel 75 x 64.5 Warsaw, Muzeum Kolekcji im. Jana Pawła II (Porczyński Gallery)
Madonna and Child with the Pear 1526 Oil on panel 43 × 31 Florence, Uffizi (1890, 1171)
Portrait of Jakob Muffel 1526 Oil on panel, transferred to canvas 48 × 36 Berlin, Gemäldegalerie
Portrait of Hieronymus Holzschuher 1526 Oil on panel 51 × 37 Berlin, Gemäldegalerie
Portrait of Johannes Kleberger 1526 Oil on panel 36.5 × 36.5 Vienna, Kunsthistorisches Museum
The Four Apostles
  • Saints John and Peter
  • Saints Mark and Paul
1526 Oil on panel 212.8 × 76.2
each panel
Munich, Alte Pinakothek
Way to Calvary 1527 Oil on panel 32 × 47 Bergamo, Accademia Carrara

See also[edit]

Sources[edit]

  • Wolf, Norbert. Albrecht Dürer. Prestel, 2010. ISBN 978-3-7913-4426-3
  1. ^ The central panel is recognized only as copy by Master Jhan(?). Anzelewsky 1971, p. 134ff.
  2. ^ Lost portrait of her husband Nikolaus Tucher and a coat-of-arms on the reverse. Anzelewsky 1971, p. 63f.
  3. ^ Anzelewsky proposed the original form to be an ogival or a round arched field of a wall; it would have shown all three "birds" in full. Anzelewsky 1971, p. 168–170.